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Stab/Ghost
The Dance of Death, from the Original Designs of Hans Holbein
The Dance of Death: or A Representation of Death in the Act of Leading All Ranks and Conditions of Men to the Grave
The Forbes Simulachres
Totentanz von Basel
Totentanz
Totentanz
Tree of Life
The Tree of Life as a symbol of divine providence widely adopted by practitioners of faith
White Alphabet
and
Alphabet LIV
Two limited-edition posters of alphabets on paper
XIII Danses Macabres
Die Bl
ä
tter mit dem Tod
Dr. Falke
’
s Oraculum
La Gran Danza Macabra: Caprichos Inspirados en Las Grandes Guerrars Mundiales
La Portentosa Vida de la Muerte
The Carnival at the End of the World or
A Time Capsule Retrospective or Incidents from the Photographic Diaries of Messrs Falke & Orlofsky, Late of the Truppe Fledermaus, or The Ridiculous & Sublime Final Chapter
The Mask of the Red Death: A Fantasy
Totentänze
Alhambra
The Alhambra in southern Spain is the palace of the last Muslim dynasty in Spain
Ami de Personne
[Nobody’s Friend]
The tavern proprietor, long clay pipe in hand, gazes at an undertaker who sips delicately perhaps awaiting his next client.
Bene Dictum, Benedicte!
Reproduction of broadsides printed by John Henry Nash in 1926 and 1929
Bene Dictum, Benedicte!
Excerpt from the Rule of Saint Benedict (A.D. 480-543)
Charles St. John Hornby
head cast in bronze
Exact Facsimile of the First Page of Genesis from the Library of Congress Copy of the Gutenberg Bible
Facsimile of the first page of the Gutenberg Bible owned by the Library of Congress
Girolamo Savonarola: Piety, Prophesy and Politics in Renaissance Florence
.
broadside to celebrate an exhibition
High Jinks in Paradise
These two panels, Alleluia and Creator, were designed and carved by British artist Eric Gill on commission of architect Oliver Hill (1887–1968).
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