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Date is exactly "2000"
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AFK2000 -
May 31, 1944 a poem by Isabella Leitner
Illustrated account of the words of Isabella Leitner
BRA0422
Copy 5 of 150 with multicolored and gilt illuminated initials. New Revised Standard Version (NRSV) of the Bible.
BY 1725 .N67 B63 2000
A History of the North Texas Conference, United Methodist Church from 1960 to 2000.
Wait
Traditional English style, full leather fine binding with hand-sewn headbands in blue and white silk. The design utilizes a leather joint and paste papers in blue and iridescent gold. The two female figures will be represented in pigment and colored…
Thompson
Bound in full leather using dark green French morocco. A keyhole cut out on the front board reveals the same die-stamped image used on the back cover. Both images will be tooled using a traditional lampblack method. Die-stamped spine with title…
Takacs
Full leather binding of blue goatskin with a gray-green wash and onlays of silver, brown, and blue. Quotations from the text in palladium, in the silver Celtic cross and printed around the turn-ins. Japanese endpapers with calligraphic quotations.
Sonnichsen
The design is a non-literal expression of the book's poetry. The binding will be a traditional French laced on binding of full leather, dark blue and black calf, featuring Martello Tower silhouetted against the night sky. Two-on sewn pattern, with…
Sanders
Sewn two-on, on recessed cords with irregular leather patch covering. Various blues with browns, oranges, and maroons and raised letters of the title on the front board. Finished with handmade colored endpapers and blue silk hand-sewn headbands.
Reid-Cunningham
Full crimson calfskin with calf hinges and Cockerell marbled paper fly leaves and doublures. Sewn on frayed cords with silk double headbands. Graphite top edge, the fore edge untrimmed, and the tail edge deckled. Gold and palladium tooling and…
Parsons
Full leather binding of black goatskin, using shades of blue, red, and maroon. The cut outs expose handmade paste paper endpapers. Gold-tooled lettering on the spine.
Miles
A full blue-gray oasis goatskin binding. The design will be painted and inlaid in black, brown, white, lavender, green and yellow. Inlaid on the spine are "Joyce" and "1922," and on the front board "Ulysses." The text block is sewn to linen cords.
Leutz
Full leather binding of black goatskin, featuring blue and green goatskin onlays on a raised labyrinth design. Sewn on cords with laced on boards. Back board design is tooled with green leather onlay strips. Black paste paper end sheets with blue and…
Lawrence
Full leather binding of beige goatskin over three-dimensional boards, text block sewn onto vellum bands, recessed opal cabochon set into the front cover, and back-pared title of red goatskin. The headbands will be worked in multicolored silk and gold…
Kamph
The design is based on sixteenth-century sketches for a missing Bronzino fresco. The intertwined bodies will be beige oasis goatskin onlays on a blue goatskin background. The sample binding includes the technique of applying gold tooling without a…
Gouey
The text block will be sewn on tapes and cased into a full leather binding of blue-green goatskin. The front board of the case bears the title and author's name hot-stamped with white foil. The binding within its box will be housed in a half leather…
Frost
The design will reconstruct the text into the original printer's sheets. The evidences of this copy's previous binding will remain. Each printer's sheet will be reconstructed with kozo guards as a throw out. The sewn boards binding structure will be…
Fox
Full leather binding in pink, yellow, and gray with black goatskin doublures and fly leaves, silk embroidered headbands, and tooling in gold and palladium. Tooled title on the spine.
Carlson
Colors and design chosen to reflect the text. Symbols and recurring imagery including the Celtic knot, Papal keys, water and the Union Jack are used to illustrate the text. Original blue wrappers will be included at the end of the text. Decorative…
Bourbeau
Flax cover binding with 24k gold blocking lines to describe the text. Cover design abstracted from the title page, tooled fly leaves using elements of the cover design, and tri-tone blue silk headbands. Conservation concertina binding construction…
Thomas
Bound in brown oasis goatskin with red inlay panels and a scrolling page structure with mirror doublures. The title will be blind stamped on the spine. Judges' Distinction for Innovation
Evetts
Full leather binding in three colors of morocco with quotations tooled and stamped in gold. The design is subdued and reflects the layout and printing of the text. Judges' Distinction for Interpretation
Spitler
Bound in a laminated case construction covered in two colors of warm green Harmatan goatskin. Will feature cut outs and recesses that reveal selected text from the book. A section of a Dublin street map will be blind embossed in the background.…
Stackpole
Full leather closed joint binding on nine raised bands with gray Niger goatskin, blind tooling and onlays of beige, warm gray and blue leathers. Titling in gold, cream paper endpapers with leather hinges, hand-sewn headbands, and gilt top edges. The…
Lallier
Full black morocco leather binding with recessed circular web of box calf, crunched pewter onlays, and blind lines. The bird design on the back cover represents the emblem of Dublin. 24 circles of box cald and pewter represent the 24 hours of June…
Glaister
Design reflects an exploration of depth and complexity of language and its rhythm and pattern. Overall binding design is monochromatic with sculptural components. Five panels stretch across the planes of the binding, with rhythmic sets of slots. When…
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