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Date is exactly "2001"
The volume was rounded and backed and full bound following the French style with three different pieces of leather used to form the outline of the shoreline of the sea. The intent was to represent the title of the book, La mar, which means the sea.…
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Chieftain goatskin covers; Harmatan morocco onlays of terracotta, peach, navy, brown, light blue, and gray; gold leaf illumination, blind tooling, relief printing on minokichi paper. Binding serves as both protection for the text and canvas for…
Traditional-style full leather binding with tight joints and tight back, covered in natural (undyed) Niger goatskin over sculpted boards; upper and lower boards with onlays of multiple leathers embossed with linoleum cuts and with blind, gold, and…
Purple oasis goatskin, red onlay cut-out "Ariel" figure taken from illustration in the book, green onlay gold-tooled "barometer" indicating stormy weather, recessed only corners with gold-tooled suns.
Triple boards attached binding, dark green goatskin for covers and doublures, beige goatskin for middle boards. Sculpted relief depicting ocean water movement. Hand-carved, hand-blown glass set within the front and back covers depicting two main…