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Browse Items (41 total)

Date is exactly "2012"

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In Their Memory: Human Rights Violations, Chile (1973-1990)

Death Flying the Fledermaus, 2012

Death Pulling the Cabinets, 2012

Spitler example

Bound in two colors of gray Hewit and Harmatan goatskin leathers in a laminate case. Decorated with three fish designs made with stamped, cut foils. Paste papers by the binder. Blind tooling and a silver stamped title.

Fox example

The binding structure is one that I have been playing around with for more than twenty years. It is simple, basic, and I love that the text can be removed at any time with no damage to the paper or binding. This is the most recent variation of this…

Lawrence

Black goatskin over bas-relief boards, raised onlays of white alum tawed calfskin with single gold tooled line along short side of each triangle; hand embroidered double-core headbands of red and yellow silk; flyleaves and doublures of marbled paper…

Ramsey

Ref French Cape morocco with design inspired by French cathedral windows. Covers tooled in blind and gold with black mosaics. Doublures of black and grey engraved decorated papers to compliment the frontispiece. Flyleaves of black suede. Title tooled…

Pullman

Full maroon goatskin with red leather onlays. Traditional panel and gilt spine with individual tools to acknowledge the period when the book was printed, a more contemporary design element with the figure of the young Christ tooled in the front…

Barber

Dark teal blue French shagreen leather, cover illustrations include acrylic pochoir painting, onlays of various leathers, design details blind tooled. Endbands in two colors of blue silk with white accents. Pastedowns and endsheets made of…

Bruce

Using a three-cover-board structural binding, the volume will be covered in white goatskin leather with red leather doublures. Cover design will be a contemporary cross of wood made of veneers and leather onlays. At the intersection of the vertical…

Buchanan

Design is intended to evoke the fundamental purpose of Christian life represented in the text, characterized by its emphasis on the interior life and withdrawal from the world. Book to be bound in black leather with cover design and title embossed in…

Burkhard

Based on simplified French binding. Endsheets of Fabriano Roma handmade paper. Harmatan goatskin in dark green and biscuit cover the front and back boards. Insets on front board include the focal design and title. Larger inset based on…

Cooksey

Dark brown calfskin with transparent vellum incorporated in the design, vellum with ink drawing of a robot, in darker metallic colors, and a god, with warm colors. Marbled flyleaves to match brown calfskin of covers. Design depicts a futuristic…

Deiss and Jackson

Front and back covers with gold fillets between red and burgundy/brown rays, gold fillet at edges of board faces. Title and author gold tooled on spine. Blind tooling around inner edge of front girandole, DIXITQUE DEUS FIAT LUX (with gold leaf…

Dossett

The design is in keeping with this book of devotion and duty to Christ. Binding in medieval style to reflect the time period in which the book was first written. Plain brown or light brown leather, Coptic stitching for the binding, title in black…

Elder

Gebrochener Rücken (modified Bradel) binding with text sewn onto tapes. Covers made of cerise-colored silk, embroidered in metallic gold with Chi-Rho symbol on the front cover and Alpha-Omega symbol on the back cover. Symbols framed by lace,…

Etherington

Full purple goatskin with colored onlays and gold tooling with a cross motif.

Feinstein

Full purple goatskin binding; sewn-in leather hinge; leather doublures surface gilt and tooled in palladium, with tripartite corner motifs with onlays; double core silk headbands; neutral endpapers matching the text. The outside of the book is meant…

Fox

Full terracota goatskin, green goatskin doublures, and Cave paper endpapers. The four books of the text are represented by the four pages of different colored green goatskin onlays circling in and surrounding the dusting of gold which represents the…

Franklin

Beveled double boards layered with hand-laid paper, vellum spine lining, seven raised bands, sewn in headbands. Scarlet Harmatan goat hide molded on a bas-relief sculptural substrate of Arches watercolor paper layered in three planes. Endpapers hand…

Geraty

Full Russell’s Oasis red goatskin, the color chosen to symbolize the blood of Christ. Front cover with a large tilted cross composed of many small handmade shapes tooled in blind describing the overall outline of the cross. When both front and back…

Gilly

Quarter black goatskin with glass boards; text sewn onto linen tapes laced through glass covers with zinc patinated frames; hand embroidered silk headbands; flyleaves of Unryushi Sume off-white paper. Front cover with center depiction of Christ…

Hanmer

Book will be disbound. Original boards and spine to be housed in a separate enclosure matching that made for the new binding. Signatures guarded and repaired as necessary. Text block will not be trimmed, double folios of plain handmade paper…

Jackson

The design evokes the gothic style of binding prevalent during the author's lifetime. Textblock disassembled, repaired as needed, and then sewn on five double-cord stations. Unbleached linen cords laced into cured, quarter-sawn wooden boards…

Kibby

Full rust Harmatan goatskin. Cross, nail, and flowing cloth elements are onlays in cream and chocolate goatskin. A sliced geode crystal is inset into a gold and red goatskin dimensional halo at the intersection of the cross beam with a raised circlet…

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