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Date is exactly "2012"
BY 1720 .A36 2012
In this history of the South Central Jurisdiction, Agnew and Severe, with the help of Bishop Hardt, chronicle the first forty years of the United Methodist Church (1968–2008).
Dark teal blue French shagreen leather, cover illustrations include acrylic pochoir painting, onlays of various leathers, design details blind tooled. Endbands in two colors of blue silk with white accents. Pastedowns and endsheets made of…
Sections sewn on meeting guards sewn all along onto three raised linen cords. Front bead silk headbands. Bound in quarter orange goatskin, boards decorated outside and inside with wood veneers, titled and tooled in metallic foil, signed and dated…
Using a three-cover-board structural binding, the volume will be covered in white goatskin leather with red leather doublures. Cover design will be a contemporary cross of wood made of veneers and leather onlays. At the intersection of the vertical…
Design is intended to evoke the fundamental purpose of Christian life represented in the text, characterized by its emphasis on the interior life and withdrawal from the world. Book to be bound in black leather with cover design and title embossed in…
Based on simplified French binding. Endsheets of Fabriano Roma handmade paper. Harmatan goatskin in dark green and biscuit cover the front and back boards. Insets on front board include the focal design and title. Larger inset based on…
Dark brown calfskin with transparent vellum incorporated in the design, vellum with ink drawing of a robot, in darker metallic colors, and a god, with warm colors. Marbled flyleaves to match brown calfskin of covers. Design depicts a futuristic…
Deiss and Jackson
Front and back covers with gold fillets between red and burgundy/brown rays, gold fillet at edges of board faces. Title and author gold tooled on spine. Blind tooling around inner edge of front girandole, DIXITQUE DEUS FIAT LUX (with gold leaf…
The design is in keeping with this book of devotion and duty to Christ. Binding in medieval style to reflect the time period in which the book was first written. Plain brown or light brown leather, Coptic stitching for the binding, title in black…
Gebrochener Rücken (modified Bradel) binding with text sewn onto tapes. Covers made of cerise-colored silk, embroidered in metallic gold with Chi-Rho symbol on the front cover and Alpha-Omega symbol on the back cover. Symbols framed by lace,…
Full purple goatskin with colored onlays and gold tooling with a cross motif.
Full purple goatskin binding; sewn-in leather hinge; leather doublures surface gilt and tooled in palladium, with tripartite corner motifs with onlays; double core silk headbands; neutral endpapers matching the text. The outside of the book is meant…
Full terracota goatskin, green goatskin doublures, and Cave paper endpapers. The four books of the text are represented by the four pages of different colored green goatskin onlays circling in and surrounding the dusting of gold which represents the…
Beveled double boards layered with hand-laid paper, vellum spine lining, seven raised bands, sewn in headbands. Scarlet Harmatan goat hide molded on a bas-relief sculptural substrate of Arches watercolor paper layered in three planes. Endpapers hand…
Full Russell’s Oasis red goatskin, the color chosen to symbolize the blood of Christ. Front cover with a large tilted cross composed of many small handmade shapes tooled in blind describing the overall outline of the cross. When both front and back…
Quarter black goatskin with glass boards; text sewn onto linen tapes laced through glass covers with zinc patinated frames; hand embroidered silk headbands; flyleaves of Unryushi Sume off-white paper. Front cover with center depiction of Christ…
The binding structure is one that I have been playing around with for more than twenty years. It is simple, basic, and I love that the text can be removed at any time with no damage to the paper or binding. This is the most recent variation of this…
Bound in two colors of gray Hewit and Harmatan goatskin leathers in a laminate case. Decorated with three fish designs made with stamped, cut foils. Paste papers by the binder. Blind tooling and a silver stamped title.
Book will be disbound. Original boards and spine to be housed in a separate enclosure matching that made for the new binding. Signatures guarded and repaired as necessary. Text block will not be trimmed, double folios of plain handmade paper…
Memoir written by Rev. Dr. James A. Hawkins' wife, Marcia Murchison Hawkins. Included are details about their relationship together.
The design evokes the gothic style of binding prevalent during the author's lifetime. Textblock disassembled, repaired as needed, and then sewn on five double-cord stations. Unbleached linen cords laced into cured, quarter-sawn wooden boards…
Death Pulling the Cabinets, 2012
Death Flying the Fledermaus, 2012
Full rust Harmatan goatskin. Cross, nail, and flowing cloth elements are onlays in cream and chocolate goatskin. A sliced geode crystal is inset into a gold and red goatskin dimensional halo at the intersection of the cross beam with a raised circlet…
Black goatskin over bas-relief boards, raised onlays of white alum tawed calfskin with single gold tooled line along short side of each triangle; hand embroidered double-core headbands of red and yellow silk; flyleaves and doublures of marbled paper…