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Feinstein example
Full goatskin leather binding with sewn-in leather hinge and handmade flax paper flyleaf which has the look of parchment. Sewn on five German woven tapes with linen thread, the edges were gilt "in the rough" without trimming, and the tapes were laced…
Ensign
Tan calfskin with inlaid calf lettering. Flyleaves and doublures of marbled paper. Brown roma endpapers with calf hinges. Hand sewn double core headbands with brown, tan and white silk. Top edge colored brown with acrylics. To be housed in a linen…
Ensign example
This classic science fiction novel concerns the survival of knowledge through books in a post-apocalyptic world. The binding references use of atomic weapons and the blueprints described in the story. The book is bound in full French chagrin dark…
Etherington
Full goatskin binding with large onlay across binding, laser cut shapes representing various tools used in bookbinding and restoration, and gold-tooled borders for onlays. This proposal for The Restoration of Leather Bindings reflects the subject of…
Etherington example
Full brown goatskin binding with onlays, titled in black.
Fletcher
Bound in full brown goatskin using traditional hand embroidery techniques in gilt thread to imitate a historical gilt panel design. Line border on outer panel and along board edges are hand tooled and gilt. Spine decorated with mix of embroidered and…
Fletcher example
French style binding with laced-in boards. Bound in bois de rose buffalo skin with back-pared onlays of goat and buffalo. Onlays embellished with hand-embroidered details using cotton embroidery floss. Hand painted border on front board in golden…
Fox
The hand tooling along the colored leather strips represent traditional lacing-on of boards and Bernard Middleton's approach to design expressed in his Recollections: A Life in Bookbinding. (This sample is only a representation of the decorative…
Fox example
The binding structure is one that I have been playing around with for more than twenty years. It is simple, basic, and I love that the text can be removed at any time with no damage to the paper or binding. This is the most recent variation of this…
Franklin
The entire book will be bound in terra cotta Harmatan goat skin. Inlaid into a frame built of layers of binder's board, the front cover features a photograph taken and printed by the binder, applied to heavy matte paper, and covered with transparent…
Franklin example
This well-used paperback had a broken spine, necessitating repair utilizing a single-sheet reconstruction. While viewing an exhibition of the Designer Bookbinders at Oxford University a few years ago, I saw a book bound by Stuart Brockman featuring a…
Geigel
The book would be rounded and backed and bound in a full dark red goatskin following the French technique, to highlight the importance of restoration in the conservation of books. The front and back covers will have an indented rectangular space…
Geigel example
The volume was rounded and backed and full bound following the French style with three different pieces of leather used to form the outline of the shoreline of the sea. The intent was to represent the title of the book, La mar, which means the sea.…
Gilly
Decorated case binding in full tan goatskin with onlays of multiple colors of goatskin having transferred images/text, and onlays of leather lacing. Multi-colored leather stuck-on headbands; all edges toned with brown inks; decorative endpapers by…
Gilly example
Flat spine tight back case binding (Islamic-style, adapted) in full black goatskin with inlays of white bonded leather (75% leather) with full-color transfers of van Gogh paintings; title blind stamped. Hand embroidered Islamic headband (straight…
Hanmer
Full goatskin binding with laced-in boards. Sewn on flattened cords, leather hinge, doublures and flexi-endsheets of marbled paper by Pamela Smith. Hand sewn, double-core silk headbands; three edges sprinkled with multiple shades of brown acrylic…
Hanmer example
Full goatskin binding with laced-in boards. Trade book disbound, guarded, and resewn on flattened cords; leather hinges; doublures and flexi-endsheets of marbled paper by Pamela Smith. Hand sewn, double-core silk headbands; three edges sprinkled with…
Harms
Bernard C. Middleton’s words reveal a mind long-trained to salvage even the most decayed book materials: I imagine a vine trained upon a trellis that sprouts new leaves. The green cotton book cloth is to be silkscreened with the image of a vine on…
Harms example
The text is from a softcover book I disassembled and reassembled as a long stitch binding through a slotted wrapper. Brown quarter leather is sanded kangaroo with handmade book cloth sides. The cotton book cloth is imaginatively silkscreened with…
Hoffman
A large graphic M signifies Middleton's last name and his long, productive, and influential career. The quotation cited above is blind embossed within the M: the words contained within the letter represents Middleton's wealth of knowledge that he…
Hoffman example
Sewn boards binding, French link stitch on tapes. Covered with black cloth on spine and purple tweed cloth on the boards. Marbled endpapers. Gold stamped title.
Ingalls
I like the idea of a historical structure, a stiff-board parchment binding, touched with a bit of modernity by utilizing modern papers in the interior. Binding in red parchment over boards, using the "floating boards" method. Flyleaves and…
Ingalls example
Bound in parchment over boards using the "floating boards" method. Parchment backed with Japanese hanako paper which is also used for the flyleaves and headbands. Sewing tapes in parchment, visible through groove. Hand tooled cover design and title…
Jackson
For this simple panel design of The Restoration of Leather Bindings, I propose a full black goatskin tight-joint case binding. The sheets will be sewn on three tapes, all text block edges will be gilded, and silk headbands will be sewn by hand. The…
Jackson example
The flat back case binding of Carmilla is covered in full black goatskin and has red leather inlays. The title is stamped, the lines are tooled, and the text block edges are gilded in 22 carat gold. This binding also features sewn silk headbands,…
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