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                <text>&lt;span&gt;Based on simplified French binding. Endsheets of Fabriano Roma handmade paper. Harmatan goatskin in dark green and biscuit cover the front and back boards. Insets on front board include the focal design and title. Larger inset based on centuries-old &lt;/span&gt;&lt;em&gt;cuir-ciselé&lt;/em&gt;&lt;span&gt; technique. Inner cross in scarlet represents Christ's blood shed for mankind. Seven diamond-shaped cutouts are for the "biblical seven" symbolizing fullness, completeness, or perfection as referred to in the text. Cut in center of cross further emphasizes the love God had in His reunion with men. Smaller inset hand lettered using gothicized italic hand.&lt;/span&gt;</text>
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                <text>&lt;span&gt;Traditional-style tight-joint binding, sewn on seven raised bands covered in beige Niger goatskin and tooled with blind lines evocative of fifteenth-century blind-tooled bindings of the time when &lt;/span&gt;&lt;em&gt;The Imitation of Christ&lt;/em&gt;&lt;span&gt; was first published. Onlay of azure blue goatskin in an eighteenth-century shape on the front cover, echoed with blind tooling on the back cover, refers to the 1788 Didot printing of this edition. Linoleum cuts on both front and back covers in the style of fifteenth-century woodcuts, embossed in the leather and overlapping both colors on the front board. On front cover only, the linoleum cuts representing people from the author’s time and today imitating Christ. Endpapers will be chosen when the binding is complete, possibly Cockerell marbled papers with hinges, or a toned handmade paper. Gold tooled title in a typeface similar to that found in the 1788 printed text.&lt;/span&gt;</text>
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                <text>Design draws upon late eighteenth-century Rococo patterns as well as the world-wide pan-historical tradition of making jeweled bindings for spiritual texts. Exuberant lines incorporate references to the Sacred Heart of Jesus, the Crucifixion, and the Trinity and are also meant to suggest growth and renewal. Flyleaves (visible through the grill work of the boards) include an abstracted thorn bush pattern to be digitally printed using archival carbon pigment inks on .5 mm thick Hewit undyed calfskin. Boards of hand forged Argentium sterling silver 1/8" square wire mounted with synthetic rubies set in sterling bezels, all fixed connections silver soldered, with sterling silver tube hinges connecting the covers to the binding spine. Spine strip will be made of blackened Argentium sterling silver with the title laser etched into the metal revealing untarnished silver. Text will be disbound, then attached to binding using ruby-headed bolts screwed through spine strip and into threaded inserts counter sunk into the hardwood spine form.</text>
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                <text>T&lt;span&gt;he pages of the book will be folded to form a cross and the volume will be bound in plain sackcloth. The binders will harvest fiber from plants growing around the monument to Thomas à Kempis at Mount Saint Agnes in the Netherlands and then use these fibers to make the endpapers for the bound volume. The book will be placed in a hinged wooden chemise made of Lebanese olive and cedar, woods said to have been used to construct the cross of Jesus. The chemise will be studded with gold and jewels, similar to select bindings on early manuscript volumes. The book is to be rebound as if it were a holy relic, while the unornamented sackcloth reflects the poverty, chastity, and obedience of the Brethren of the Common Life.&lt;/span&gt;</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25521">
                <text>Displayed as .jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25522">
                <text>Latin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25523">
                <text>Book</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
