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Subject is exactly "bookbinding proposal"
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Stackpole
Dark blue Niger goatskin to portray the river, with the spine grain on the spine of the book, flowing down the center of the binding from a distant horizon line where the river meets the sky. Dark green Niger goatskin emphasizing the contours of the…
Stackpole
Full leather closed joint binding on nine raised bands with gray Niger goatskin, blind tooling and onlays of beige, warm gray and blue leathers. Titling in gold, cream paper endpapers with leather hinges, hand-sewn headbands, and gilt top edges. The…
Stackpole
Traditional-style tight-joint binding, sewn on seven raised bands covered in beige Niger goatskin and tooled with blind lines evocative of fifteenth-century blind-tooled bindings of the time when The Imitation of Christ was first published. Onlay of…
Spitler
Mirrors and towers recur in Borges’ Ficciones, and provide the inspiration for this design. A profile of a phrenology head (mapping the mind) is seen in a mirror that also reflects a burning tower from the back board. Dark blue leather sets off the…
Spitler
Full dark blue Harmatan #12 goatskin in a traditional laced-on boards binding, paste paper ends will be created by the binder utilizing a leather joint construction, sewn headbands and tooled spine title. The proposed design captures the early…
Spitler
Bound in a laminated case construction covered in two colors of warm green Harmatan goatskin. Will feature cut outs and recesses that reveal selected text from the book. A section of a Dublin street map will be blind embossed in the background.…
Spitler
Full leather binding of dark blue goatskin with multi-colored onlays. Gold tooling. Distressed areas with inlaid and painted lines on spine and boards. Gold-tooled title and date on spine.
Spitler
If one was to visit Bernard Middleton's bindery in the 1970s, when this text was published, it would not have been unusual to find a cat or two curled up in a corner. Proposed binding to be bound in brown Hewit goatskin in a laced-on boards binding…
Spitler
Various decorative techniques on tan Hewit's goatskin leather including traditional onlay leather with gold and blind tooling, painted and stenciled acrylic, and colored cut-foil technique. Geological strata of back-pared leather symbolizes layers of…
Sonnichsen
The design is a non-literal expression of the book's poetry. The binding will be a traditional French laced on binding of full leather, dark blue and black calf, featuring Martello Tower silhouetted against the night sky. Two-on sewn pattern, with…
Sonnichsen
Cross structure binding made from two pieces of unsupported goatskin parchment of slightly different hues. Fluted spine, yapp edges, and ribbon ties.
Sobotova
Triple cover board binding structure, leather headbands with dark brown and beige onlays, edges painted dark brown and beige imitating wood engraving technique. Dark brown Harmatan goatskin for the top cover, beige goatskin for the middle boards, and…
Sobotova
Full goatskin parchment Bradel binding. Design on front and back boards with title and design on spine of book. Flat gold leaf gilding with cutouts through the parchment allowing a view of color underneath. Top edge gilt.
Sobota
Box binding with three-board structure using Harmatan Nigerian goatskins, black for the binding and dark red for the doublures, with designs based on the Paris 1788 edition of the text. Hand-gilded 23k lines on all three sides of box binding would…
Sobota
Bradel structure with floating back. Green pressed lacquered endpapers. Sewn on four natural tapes. Hand colored silk headbands. Green goatskin back with one fishskin strip on spine. Title and author printed with beige foil. Wooden boards covered…
Sobota
Triple cover board, Sobota’s binding structure. Leather-tooled double headbands. Silver multi-metallic top edge. Boards covered in dark blue paper made of leather-maché, light blue French calfbox, with the title in relief, gold tooling and…
Sobota
The binding structure is a triple cover board, with hand sewn headbands of green and blue silk, top edge painted brown. Navy blue goatskin for top cover and dark green goatskin for the doublures. Brass strips will be attached to the edges of the…
Sgantas
This proposed design for Bernard Middleton's text was inspired first by reading his book as a bookmaker/artist and second as one who is constantly exploring and studying different structures, old and new. The idea of illustrating the cover came as…
Sanders
Sewn two-on, on recessed cords with irregular leather patch covering. Various blues with browns, oranges, and maroons and raised letters of the title on the front board. Finished with handmade colored endpapers and blue silk hand-sewn headbands.
Reid-Cunningham
This proposed design for The Restoration of Leather Bindings features scarf-joined goatskin and calfskin leathers offset by lines of recessed onlays in white and black leather. The leather will be dyed with aniline dyes. There will be leather hinges…
Reid-Cunningham
Pierced vellum binding, designs tooled and cut into the vellum to reveal brightly colored boards, title and tooling in gold and metallic foils. Design utilizes the repetition of a few limited geometric elements. The letters of the title, parallel…
Reid-Cunningham
An un-dyed calfskin binding featuring calf hinges and suminagashi endpapers; sewing on meeting guards and tapes; head decorated with graphite; silk double-core headbands; palladium leaf impressed with swirling lines and abalone shell and edged in…
Reid-Cunningham
Reid-Cunningham sees a darker America described in Huckleberry Finn. He will bind Huckleberry Finn in black calfskin boards and doublures, with graphite edges, black Bugra flyleaves, silk doublescore endbands, and gold and blind tooling and titling.…
Reid-Cunningham
Full crimson calfskin with calf hinges and Cockerell marbled paper fly leaves and doublures. Sewn on frayed cords with silk double headbands. Graphite top edge, the fore edge untrimmed, and the tail edge deckled. Gold and palladium tooling and…
Reid-Cunningham
Design based on the conflicted nature of the Apocrypha. Design has clashing panels and forms and shell veneer and mother of pearl that represent a bright light in a world of confusion.
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