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Subject is exactly "example binding"
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Bruce example
A sculptural binding covered in painted leather, with sewn headbands and decorated top edge, the structure is a three-cover-board structural binding based on the work of Jan Sobota.
Buchanan example
Case binding covered in leather over a sculptural rose with leather head bands, leather cover is hand painted. Box containing the book is an intricate part of the overall design, representing the wall around the secret garden with entrance through a…
Burkhard example
Based on medieval binding structures, textblock and marbled endsheets sewn on Pleister tapes with link stitch. Conservation endbands. Layers of pared leather and flannel to support spine, last layer is a vellum spine lining with extended flaps.…
Cooksey example
Full terracotta goatskin with leather hinges, hand-sewn French endbands complement colors of endpapers. Blind-tooled smoke coming out of the side of the book, mirroring the illustrations in the book showing smoke elements.
Deiss and Jackson example
Chieftain goatskin covers; Harmatan morocco onlays of terracotta, peach, navy, brown, light blue, and gray; gold leaf illumination, blind tooling, relief printing on minokichi paper. Binding serves as both protection for the text and canvas for…
Dossett example
Bound in a medieval style with folios sewn using a French link stitch. Endsheets and extra gatherings at front and back added during the sewing, tapes added during the sewing and then frayed, shaved leather added in spaces between the tapes.…
Elder example
Gebrochener Rücken (modified Bradel) binding with text sewn onto tapes. Covers made of watered silk, embroidered with Tudor-era motifs in silk and metallic gold, and embellished with seed pearls. Gold and white decorated endpapers, hand-sewn silk…
Etherington example
Full orange goatskin with green and black goatskin onlays and gold tooling.
Feinstein example
Tightback goatskin binding, sewn on raised cords laced into boards, with a very flat back; all edges gilt and gauffered with a dotted line along either side of each edge; tooling with gold leaf and egg glaire; plain white endsections; single color…
Fox example
Terracotta goatskin bound with variations to the joint structure to allow for better movement and less damage to a heavy text. Native goatskin onlays based on an image in Vesalius’s De humani corporis fabrica. Gold number and letters are marked as in…
Franklin example
Old cover removed and pages trimmed, ironed, guarded, and sewn on five bands. Encased in a modified K-118 structure with vellum spine, double boards interspersed with hand-laid paper, hand-sewn headbands, and a sculptural substrate of layered Arches…
Geraty example
Full black goatskin, front and back covers with fields of purple, orange, green, and red goatskin onlays and areas of solid gilt leather, tooled with straight gold lines, spine titled in gold, edges gilt. Endpapers of gray Hahnemühle Bugra paper with…
Gilly example
Quarter blue goatskin with glass boards; text sewn onto linen tapes laced through holes drilled in zinc frame with brass tubing soldered into holes; hand embroidered silk headbands; all edges colored with graphite; title blind stamped on label of…
Hanmer example
French technique binding sewn on flattened cords, laced into boards and covered in a variety of hues of blue leather, mostly goatskin. Tooling and titling in carbon, 23k gold, and dark blue foils. Edge-to-edge goatskin doublures, flyleaves of navy…
Jackson example
Unbound sheets of the two titles sewn as a single volume on three double-cord stations, plain wound endbands sewn with fine Italian silk. Quarter-sawn silver maple boards cut, planed, beveled, and channeled using traditional woodworking tools. Ends…
Kibby example
Full deep blue Harmatan goatskin with feathered alum-tawed and multicolored onlays, using a puckering technique for dimensional texture. Cover scene illustrates waves washing upon the shoreline delivering sea creatures. The starfish is built up into…
Leutz example
Bound using the Jan Sobota-style three-board technique, brown leather covers, rust colored leather doublures, center board edged in black goatskin, tooled leather endbands; book edges are graphite. The cover design features twelve cut-out squares in…
Metzger example
Blank book covered in full goat parchment using a laced-case structure. Text sewn on parchment straps laced through cover, silk front-bead endband sewn on flat parchment core. Covering parchment attached to case using mechanical non-adhesive methods.…
Nies example
French style full goat leather, top edge gilt with spiral tooled decoration, double headbands. Upper and lower boards with gold and blind-tooled design, goat leather onlays on top board. Silk front and rear pastedowns, marbled paper by Einen Miura of…
Nitzberg example
Dark blue goatskin with onlays comprised of vintage English textile designed by William Morris; textiles arranged to create a "Cambridge style" panel motif; gold-tooled design elements. Marbled endpapers. Leather joints, hand-sewn silk endbands.…
Reid-Cunningham example
Pierced vellum binding with yapps and bone clasps. Textblock disbound and edges left untrimmed, original paper covers and spine lined with kozo tissue and bound in. Volume sewn all along on three alum-tawed goatskin thongs with new endsheets of laid…
Sobota example
Box binding made of goatskin, frog leather, elephant leather, and goat horns. Sobota three-board binding structure covered with brown goatskin, book-box edges covered with orange snakeskin, center of boards with oval cutouts, light goat parchment…
Stackpole example
Traditional-style full leather binding with tight joints and tight back, covered in natural (undyed) Niger goatskin over sculpted boards; upper and lower boards with onlays of multiple leathers embossed with linoleum cuts and with blind, gold, and…
Tapley example
Hand-forged and drawn ingot sterling silver square wire, hand-forged sterling silver "stars," purchased sterling silver tubes for hinges, purchased sterling silver bezels, and purchased lab-grown rubies. All silver except the stars intentionally…
Thomas example
The cover and all of the pages of the book have been cut and folded in the shape of a cross, and this altered book has been placed in a hinged wooden chemise. Wooden crosses are affixed to the front and back covers and a jeweled clasp acts as a…
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