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Subject is exactly "example binding"
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Stackpole example
Traditional-style full leather binding with tight joints and tight back, covered in natural (undyed) Niger goatskin over sculpted boards; upper and lower boards with onlays of multiple leathers embossed with linoleum cuts and with blind, gold, and…
Stackpole example
Full leather tight-joint style binding. Fine grain dark blue goatskin "sky" across top of binding; spine and part of both boards covered in navy blue Niger goatskin, with induced wrinkles signifying the river; rest of boards covered in dark green…
Stackpole example
Bound in a full leather closed joint binding with sculpted boards in emerald green, royal blue, and purple Niger goatskin with silver kid. Gold-tooled titling on the spine, blind tooling and multicolored leather onlays on the front board. Top edge…
Spitler example
Bound in two colors of gray Hewit and Harmatan goatskin leathers in a laminate case. Decorated with three fish designs made with stamped, cut foils. Paste papers by the binder. Blind tooling and a silver stamped title.
Spitler example
Pastepaper décor on Arches text paper with text printed on a HP 1500 inkjet printer. Full leather binding in green Harmatan goatskin. Decorated with leather onlay work, gold tooling, back-pared onlays applied prior to covering, cut foil stamping…
Spitler example
Special set of sheets presented by author to Spitler for design binding. Full gold Chieftain goatskin, leather onlays, blind and gold tooling, pochoir acrylics. Ancient fruit, fig and pomegranate represent the Garden of Eden as a snake crosses the…
Spitler example
Full green, goatskin over laced-on boards. Paste paper ends by the binder. Design executed with painted foil stamped onlaid leather, tooling colored foils, and relief imagery. The motif illustrates the transformation of a women, the object of the…
Spitler example
Bound in a laminated case construction in full goatskin. Cut outs and recesses in the boards show fragments of the poem from the book, "negative" foil stamped on leather. Endpapers are decorated by the binder using paste paper techniques stamped with…
Spitler example
Sewn boards structure of drummed on, full emerald goatskin. Relief pattern with distressed and painted design. Full painted edges.
Sonnichsen example
Coptic binding with handmade paste paper and onlays of dyed vellum. Leather strips on front and back boards. The top edge is sprinkled. Handmade paper end sheets.
Sonnichsen example
Full leather binding of black goatskin with black morocco and black calfskin onlays. Top edge gilt.
Sobotova example
Triple boards attached binding, dark green goatskin for covers and doublures, beige goatskin for middle boards. Sculpted relief depicting ocean water movement. Hand-carved, hand-blown glass set within the front and back covers depicting two main…
Sobotova example
Wraparound hard cover of full goatskin parchment with button tie and parchment strap. Flat gold leaf gilding with cutouts through the parchment and view of color underneath. Top edge gilt and gauffered.
Sobota example
Box binding made of goatskin, frog leather, elephant leather, and goat horns. Sobota three-board binding structure covered with brown goatskin, book-box edges covered with orange snakeskin, center of boards with oval cutouts, light goat parchment…
Sobota example
Bradel structure with flying boards. Sewn on four yellow snakeskin strips. Yellow leather headbands. Red goatskin back. Wooden boards covered with mahogany veneer. Wooden relief onlays. Ochre suede flyleaves. Decoration depicting Edgard Claes's…
Sobota example
Sobota’s box binding structure with doubled boards and a middle opening. Green, blue, and brown goatskin. Application of leather and colored Japanese paper. Hand printing in blue. Gold tooling. Roughly-sewn headbands depict ship ropes.
Sobota example
Triple cover board binding structure, gold leather headbands with top edge in gold, brown Harmatan goatskin for the top cover, gold leather middle, and dark blue goatskin for the doublures, flyleaves are blue suede leather. A cut through technique is…
Sgantas example
The structure that I have chosen to use is the French bookbinder Benjamin Elbel’s dos rapporté. The volume lies open nicely and is a sturdy structure for a reference book that would be used regularly. The design is on Strathmore 80-pound acid-free…
Sanders example
Sewn two-on using five supported stations with recessed cords. Covering is in full read leather (goat and calf) applied as irregular patches over twelve alternately inset and raised panels. The panels represent the twelve Wilcox bindings. Endpapers…
Reid-Cunningham example
Laid paper pastedowns decorated with 23 karat gold leaf, then stamped in the center with the universal symbol of flammable materials. Sections sewn on meeting guards; guards sewn on raised linen cords; cords laced into the boards. There are front…
Reid-Cunningham example
Pierced vellum binding with yapps and bone clasps. Textblock disbound and edges left untrimmed, original paper covers and spine lined with kozo tissue and bound in. Volume sewn all along on three alum-tawed goatskin thongs with new endsheets of laid…
Reid-Cunningham example
Full blue calf binding with a circle of gold leaf spreading from the spine onto both boards, and inset panels of kidskin, fishskin, goatskin, box calf, and abalone shell at the center of both boards. Tooled in palladium leaf. The House North of South…
Reid-Cunningham example
Bound in alum-tawed goatskin with boards lined with Formica. Roma endsheets. Sewn double-flexible on linen cords. Edges sprinkled with black and red ink. Reverse bead primary endbands. Red and black silk doublecore secondary endbands. Alum-tawed…
Reid-Cunningham example
Full purple goatskin binding with gold tooling and gold titling on the spine. Edges left untrimmed, goatskin hinges and silk headbands. Thai marbled paper fly leaves and doublures.
Reid-Cunningham example
Sections sewn on meeting guards sewn all along onto three raised linen cords. Front bead silk headbands. Bound in quarter orange goatskin, boards decorated outside and inside with wood veneers, titled and tooled in metallic foil, signed and dated…
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