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Subject is exactly "example binding"
French technique lace-in boards, covered in full leather in Harmatan purple goatskin. Sewn headbands and 14k gold top edge. Hand carved two-ply board inlay with 14k gold ink. Endpapers are original paste paper made by the binder.
Full dark green goat skin with black goat leather doublures, top edge illustrated with a free-hand design of leaves. Title stamped at an angle on the front of the lime green leather onlay using black foil. Inlays of leaves, based on marble paper by…
Pastepaper décor on Arches text paper with text printed on a HP 1500 inkjet printer. Full leather binding in green Harmatan goatskin. Decorated with leather onlay work, gold tooling, back-pared onlays applied prior to covering, cut foil stamping…
Crimson goatskin worked in bas-relief and blind tooled; gold tooled with various sizes of dots, stars, and bells; title gold tooled on spine. Hand embroidered silk headbands; top edge graphite; marbled paper by Catherine Levine. A Christmas ghost…
Sewn on flattened cords laced into boards covered in goatskin using Paul Delrue's lacunose technique. Goatskin onlay and inlaid lines. Additional lines incised freehand with "Ascona tool." Leather joints, suede flyleaves, green Takeo paper doublures.…
A French style binding with laced-on boards. The top edge is graphite with red silk hand sewn endbands. The book is covered in black goatskin with black emery paper and black morocco onlays, enclosed in a traditional chemise and slipcase. The shape…
Bound in full Harmatan burgundy leather with edge to edge leather doublures. Hand sewn endbands complement the letterpress flyleaf provided by the printer. Two illustrations from the book were simplified, hand tooled on the top and bottom boards, and…
A leather binding of royal blue goatskin with yellow, black, and flesh colored onlays. The face and hands of the woman were custom designed by the binder and cast in sterling silver.
Tight-back binding with text sewn onto linen tapes and laced-on boards of quilted book-matched maple. Spine and hinges in goatskin with an inset of Bisbee turquoise from Arizona delineating the front edge of the quarter binding; endpapers by…
This miniature binding has been sewn on tapes, laced in, with silk endbands. The gilding has been done by Myles at Marchetti Brothers. The outer and inner boards are covered in full goatskin with leather onlays and gold, palladium, and colored foil…
Full blue leather binding in the French tradition with the design of an ancient Greek ship tooled in blind across top and bottom boards with gilded star constellations on top and bottom boards. Edge to edge doublures blind tooled. Top edge in…
Full red chagrin leather binding in the French technique. Hand sewn silk endbands, handcolored and "crackled" gold top edge, and gold pastepaper endpapers. Title and tooling in 23 karat gold. The volume housed in a matching chemise, slipcase, and…
Hollow-back binding sewn on three frayed linen cords, quarter leather bound in the skin of a copperhead snake shot and tanned by the binder in August 2007. Top edge gilt, leather headbands, and Lokta Momi paper covered boards and endsheets.
Purple oasis goatskin, red onlay cut-out "Ariel" figure taken from illustration in the book, green onlay gold-tooled "barometer" indicating stormy weather, recessed only corners with gold-tooled suns.
Natural goatskin with purple Harmatan goatskin, a modified lacunose technique and stingray onlays. Marbled endsheets by Catherine Levine. The two interlocking circles are based on the vesica piscis. The purple ring symbolizes the spiritual with gilt…
Bound using Jan Sobota's two-board binding technique. Terracotta goatskin binding with raised black and brown goatskin onlays to resemble a zebra, title stamped in gold, leather headbands, brown goatskin doublures, top edge colored with acrylics and…
Full blue calf binding with a circle of gold leaf spreading from the spine onto both boards, and inset panels of kidskin, fishskin, goatskin, box calf, and abalone shell at the center of both boards. Tooled in palladium leaf. The House North of South…
Bradel structure with flying boards. Sewn on four yellow snakeskin strips. Yellow leather headbands. Red goatskin back. Wooden boards covered with mahogany veneer. Wooden relief onlays. Ochre suede flyleaves. Decoration depicting Edgard Claes's…
Sewn on tapes and forwarded as a Brockman Concave Spine Binding, tab and slot board attachment. Head gilt and colored. Covered in two colors of goatskin, title inlaid on spine, boards tooled in gilt and foil, back inlaid with eggshell lacquer and…
Full calf-leather binding hand-dyed by the binder, with leather onlays, gold foil stamping and pearlescent acrylic paint. The cover scene illustrates the Lorelei legend. Leather joint construction with marbled paper by Catherine Levine. Hollow back…
Fine binding in full terra cotta goatskin sewn on raised cords and bands. Plumb bob of turquoise, onyx, and moonstone set in sterling silver by Steven Jay Coben; gold tooled line, blacked tooled arc and title; all edges colored; embroidered silk…
Full leather, chocolate goatskin, in a traditional laced-on boards binding. Paste paper ends. Sewn headbands, blind tooling. Leather onlays. Pocket watch with altered face showing authors' name and time at which Fogg arrives at club attached to cover…
Full blue goatskin over laced on boards. End papers and doublures of Japanese chiyogami. Hand-sewn silk headbands. Leather onlay, hand tooled verses with India ink, acrylic paints and gold foil stamping. The design represents God's word from creation…
Case binding with rust-orange goatskin leather. Multi-colored onlaid leathers are incorporated on to the raised body of the raven designed by the artist to wrap around the surface of the book. A faceted citrine is set as the raven's eye. A black…
Green chagrin leather over boards with raised profile and ear motif, with various tan leather inlays; two raised bands; top and bottom edges speckled.