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Subject is exactly "example binding"
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Sobota example
Triple cover board binding structure, gold leather headbands with top edge in gold, brown Harmatan goatskin for the top cover, gold leather middle, and dark blue goatskin for the doublures, flyleaves are blue suede leather. A cut through technique is…
Reid-Cunningham example
Full purple goatskin binding with gold tooling and gold titling on the spine. Edges left untrimmed, goatskin hinges and silk headbands. Thai marbled paper fly leaves and doublures.
Stackpole example
Bound in a full leather closed joint binding with sculpted boards in emerald green, royal blue, and purple Niger goatskin with silver kid. Gold-tooled titling on the spine, blind tooling and multicolored leather onlays on the front board. Top edge…
Fox example
Full leather binding including doublures and fly leaves, emerald, natural, and red goatskin with black goatskin onlays to represent the binding as a slice of watermelon.
Etherington example
Full orange goatskin with green and black goatskin onlays and gold tooling.
Sullivan example
This case-bound book was disassembled and reassembled in the three board structure method (which includes a hollow-tube spine) introduced by Jan Sobota. It was sewn with thick linen thread on Ramieband tapes. All three boards, doublure, and onlay…
Hanmer example
Binding based on the non-adhesive “clip-on cover” structure developed by United Kingdom binder Kathy Abbott. Text block disbound, outer folios guarded, sewn long stitch with blue linen thread into calf vellum wrapper, covered in limp calf vellum…
Caine example
Half leather binding of maroon goatskin sewn on five raised cords. Central panel of goatskin parchment with calligraphy based on the original manuscript of the play. Gold-tooled title on spine.
Pullman example
Sewn on four linen tapes with sponge painted edges and hand sewn silk endbands. Covered in light brown Hewit goatskin with leather hinged Ingres endpapers and marbled paper doublures. Title and two illustrations from the book are gold tooled for the…
Kibby example
Full burgundy leather, sewn-on-tape binding over sculpted boards with embossed purple leather carved insets revealing rust and gold leather underneath. The cover design alludes to the themes of impermanence in Millay's poetry. Hollow back spine and…
Franklin example
This well-used paperback had a broken spine, necessitating repair utilizing a single-sheet reconstruction. While viewing an exhibition of the Designer Bookbinders at Oxford University a few years ago, I saw a book bound by Stuart Brockman featuring a…
Ensign example
This classic science fiction novel concerns the survival of knowledge through books in a post-apocalyptic world. The binding references use of atomic weapons and the blueprints described in the story. The book is bound in full French chagrin dark…
Minksy example
Full leather binding of purple dyed calfskin with vermeil figures, chain, and handcuffs. Box designed as bed for book.
Adelman example
A French style binding with laced-on boards. The top edge is graphite with red silk hand sewn endbands. The book is covered in black goatskin with black emery paper and black morocco onlays, enclosed in a traditional chemise and slipcase. The shape…
Lallier example
Full Buffalo leather French-technique binding with edge-to-edge leather doublures and flyleaves. Pewter onlays over boards underlying the leather, silk embroidered headbands. The book was bound in 2001.
Lallier example
Full leather binding of salmon color goatskin with leather onlays, pewter and blind tooling. The top edge is gilt with white gold.
Reid-Cunningham example
Bound in alum-tawed goatskin with boards lined with Formica. Roma endsheets. Sewn double-flexible on linen cords. Edges sprinkled with black and red ink. Reverse bead primary endbands. Red and black silk doublecore secondary endbands. Alum-tawed…
Caine example
Quarter leather orange goatskin, marbled paper boards with vellum tipped corners, writing pen and title label attached. Gold-tooled title on spine.
Carlson example
Full leather with pink calf and black and beige goat, various colors of onlay, title gold-tooled on the spine, and lined Moriki dyed endpapers. The illustrations were removed from the brittle support pages, washed to remove acid. The original cloth…
Bruce example
A combination of a variety of three-dimensional materials to create an artist binding that is sculptural in nature.
Nies example
French style full goat leather, top edge gilt with spiral tooled decoration, double headbands. Upper and lower boards with gold and blind-tooled design, goat leather onlays on top board. Silk front and rear pastedowns, marbled paper by Einen Miura of…
Jackson example
Full purple goatskin with black and silver leather onlays. Blind-tooled title on spine. Platinum-tooled stars and Hale-Bopp Comet with UFOs on the front board. In the recessed center is a glow-in-the-dark alien reminiscent of that worshiped by the…
Ingalls example
Full red chagrin leather binding in the French technique. Hand sewn silk endbands, handcolored and "crackled" gold top edge, and gold pastepaper endpapers. Title and tooling in 23 karat gold. The volume housed in a matching chemise, slipcase, and…
Hanmer example
French technique binding sewn on flattened cords, laced into boards and covered in a variety of hues of blue leather, mostly goatskin. Tooling and titling in carbon, 23k gold, and dark blue foils. Edge-to-edge goatskin doublures, flyleaves of navy…
Takacs example
Miniature binding in sculptural stand. Full leather binding with brass clasp covered in black reverse pigskin. Decorated top and bottom edges. Gold-stamped label on spine. The structural stand, also in reverse pigskin, contains a recessed platform…
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