Skip to main content
Search using this query type:
Keyword
Boolean
Exact match
Search only these record types:
Item
Collection
Exhibit Page
Advanced Search (Items only)
Browse Items (158 total)
Browse All
Browse by Tag
Search Items
Subject is exactly "example binding"
Previous Page
Page
of 7
Next Page
Sort by:
Title
Creator
Date Added
Kibby example
Natural goatskin with purple Harmatan goatskin, a modified lacunose technique and stingray onlays. Marbled endsheets by Catherine Levine. The two interlocking circles are based on the vesica piscis. The purple ring symbolizes the spiritual with gilt…
Kibby example
Full deep blue Harmatan goatskin with feathered alum-tawed and multicolored onlays, using a puckering technique for dimensional texture. Cover scene illustrates waves washing upon the shoreline delivering sea creatures. The starfish is built up into…
Kibby example
Full burgundy leather, sewn-on-tape binding over sculpted boards with embossed purple leather carved insets revealing rust and gold leather underneath. The cover design alludes to the themes of impermanence in Millay's poetry. Hollow back spine and…
Lallier example
Full leather binding of salmon color goatskin with leather onlays, pewter and blind tooling. The top edge is gilt with white gold.
Lallier example
Full Buffalo leather French-technique binding with edge-to-edge leather doublures and flyleaves. Pewter onlays over boards underlying the leather, silk embroidered headbands. The book was bound in 2001.
Lawrence example
Full purple goatskin with multi-colored onlays depicting the four evangelists in geometric abstraction, surface gilding, gold and blind tooling. Top edge dyed and partially gilt, hand embroidered headbands of violet and lavender silk with gilding,…
Lawrence example
These episodes from Haida mythology are bound in full leather, black morocco with onlays of midnight blue and metallic gold goatskins molded over carved board.
Lawrence example
Split board binding of black and grey goatskin with silver goatskin onlay over shaped boards & spine; agate slice set into front board; lap-link sewing over tapes; silver & bronze goatskin headbands; and marbled paper by Catherine Levine.
Lawrence example
Fine binding in full terra cotta goatskin sewn on raised cords and bands. Plumb bob of turquoise, onyx, and moonstone set in sterling silver by Steven Jay Coben; gold tooled line, blacked tooled arc and title; all edges colored; embroidered silk…
Lawrence example
Crimson goatskin worked in bas-relief and blind tooled; gold tooled with various sizes of dots, stars, and bells; title gold tooled on spine. Hand embroidered silk headbands; top edge graphite; marbled paper by Catherine Levine. A Christmas ghost…
Lawrence example
Full beige goatskin over bas-relief boards depicting the Holy Spirit as a descending dove, onlays of goatskin, calfskin, and kangaroo skin in various colors; surface gilding; hand-embroidered headbands of purple and pale yellow silk; flyleaves and…
Leutz example
Full leather binding of green goatskin with colored onlays and blind tooling. Gold-stamped label on spine.
Leutz example
Full leather binding of black morocco sewn on cords with laced on boards. Red leather onlays on the raised letterform design. The top edge is gilt with white gold leaf, and has blind-tooled titling.
Leutz example
Book bound in two-three board binding structure, developed by Jan Sobota with purple French chagrin leather over raised design with attached objects, tooled top edge, sewn silk headbands, doublure and flysheet are copies of Barry Moser's…
Leutz example
Bound using Jan Sobota's two-board binding technique. Terracotta goatskin binding with raised black and brown goatskin onlays to resemble a zebra, title stamped in gold, leather headbands, brown goatskin doublures, top edge colored with acrylics and…
Leutz example
Bound using the Jan Sobota-style three-board technique, brown leather covers, rust colored leather doublures, center board edged in black goatskin, tooled leather endbands; book edges are graphite. The cover design features twelve cut-out squares in…
Levy example
Full dark brown calf over a K-118 binding. Boards have a recessed dark green morocco border with corners inset with green jasper stones. Doublures of multicolored onlays depict books.
Metzger example
Blank book covered in full goat parchment using a laced-case structure. Text sewn on parchment straps laced through cover, silk front-bead endband sewn on flat parchment core. Covering parchment attached to case using mechanical non-adhesive methods.…
Miles example
Full leather binding of dark green goatskin. Multi-colored onlays. Gold-stamped title on spine.
Miles example
Full Domaki goatskin binding, painted and inlaid to represent a beach and flying kite. Colored linen sewing thread forms the kite string and is forced into an incision in the leather. The endpapers are dyed Tyvek.
Minksy example
Full leather binding of purple dyed calfskin with vermeil figures, chain, and handcuffs. Box designed as bed for book.
Minter example
Full leather binding of gray goatskin sewn on four raised bands. Raised onlays of maroon leather. Top edge graphite.
Nies example
French style full goat leather, top edge gilt with spiral tooled decoration, double headbands. Upper and lower boards with gold and blind-tooled design, goat leather onlays on top board. Silk front and rear pastedowns, marbled paper by Einen Miura of…
Nitzberg example
Dark blue goatskin with onlays comprised of vintage English textile designed by William Morris; textiles arranged to create a "Cambridge style" panel motif; gold-tooled design elements. Marbled endpapers. Leather joints, hand-sewn silk endbands.…
Nitzberg example
This binding represents an early nineteenth-century bookbinding style: a smooth spine without raised or faux bands, half red leather binding, and the pattern of the marbled paper. There is a flexible hollow tube spine lining: the leather is not…
Previous Page
Page
of 7
Next Page
Output Formats
atom
,
dcmes-xml
,
json
,
omeka-xml
,
rss2