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Subject is exactly "example binding"
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Lawrence example
Split board binding of black and grey goatskin with silver goatskin onlay over shaped boards & spine; agate slice set into front board; lap-link sewing over tapes; silver & bronze goatskin headbands; and marbled paper by Catherine Levine.
Lawrence example
These episodes from Haida mythology are bound in full leather, black morocco with onlays of midnight blue and metallic gold goatskins molded over carved board.
Lawrence example
Full purple goatskin with multi-colored onlays depicting the four evangelists in geometric abstraction, surface gilding, gold and blind tooling. Top edge dyed and partially gilt, hand embroidered headbands of violet and lavender silk with gilding,…
Lallier example
Full Buffalo leather French-technique binding with edge-to-edge leather doublures and flyleaves. Pewter onlays over boards underlying the leather, silk embroidered headbands. The book was bound in 2001.
Lallier example
Full leather binding of salmon color goatskin with leather onlays, pewter and blind tooling. The top edge is gilt with white gold.
Kibby example
Full burgundy leather, sewn-on-tape binding over sculpted boards with embossed purple leather carved insets revealing rust and gold leather underneath. The cover design alludes to the themes of impermanence in Millay's poetry. Hollow back spine and…
Kibby example
Full deep blue Harmatan goatskin with feathered alum-tawed and multicolored onlays, using a puckering technique for dimensional texture. Cover scene illustrates waves washing upon the shoreline delivering sea creatures. The starfish is built up into…
Kibby example
Natural goatskin with purple Harmatan goatskin, a modified lacunose technique and stingray onlays. Marbled endsheets by Catherine Levine. The two interlocking circles are based on the vesica piscis. The purple ring symbolizes the spiritual with gilt…
Kibby example
Full calf-leather binding hand-dyed by the binder, with leather onlays, gold foil stamping and pearlescent acrylic paint. The cover scene illustrates the Lorelei legend. Leather joint construction with marbled paper by Catherine Levine. Hollow back…
Kibby example
Parchment goatskin with thin, leather onlays, manipulated and mapped over subtle, paper-clay modeling of the book boards to heighten the effects of land erosion. Hand embroidered silk headbands, edge decoration with pastel pigment blended with…
Kellar example
Full leather binding of chocolate goatskin sewn over three stranded cords with laced-on boards. Colored leather onlays and blind tooling. Gold-tooled leather label.
Kamph example
Full wine colored Oasis goatskin binding with semi-pressed inlays of multicolored goatskin representing fruit, vegetables, and bottles. Gold tooled highlights and titling. Silk headbands worked in dark red and green thread. Twinrockers endpapers. The…
Kamph example
Purple oasis goatskin, red onlay cut-out "Ariel" figure taken from illustration in the book, green onlay gold-tooled "barometer" indicating stormy weather, recessed only corners with gold-tooled suns.
Kamph example
Grey oasis goatskin with multicolored, gold-tooled onlays in a frieze design, based on an antique Malaysian pattern with figures taken from a text illustration. The volume is titled in gold on the spine with letters made up from small tools.…
Kamph example
Full wine-red oasis goatskin with still-life "painting" of fruit and wine onlay. Gold-tooled highlights and titling.
Kamph example
Full tightback binding of sea blue oasis goatskin. Onlays of black and natural oasis goatskin. Gold and blind tooling. Gold tooling and title on spine.
Jones example
Resewn on three cords. Full red Harmatan goatskin with onlays and tooling. Custom leather and silk box.
Jackson example
The flat back case binding of Carmilla is covered in full black goatskin and has red leather inlays. The title is stamped, the lines are tooled, and the text block edges are gilded in 22 carat gold. This binding also features sewn silk headbands,…
Jackson example
Unbound sheets of the two titles sewn as a single volume on three double-cord stations, plain wound endbands sewn with fine Italian silk. Quarter-sawn silver maple boards cut, planed, beveled, and channeled using traditional woodworking tools. Ends…
Jackson example
Hollow-back binding sewn on three frayed linen cords, quarter leather bound in the skin of a copperhead snake shot and tanned by the binder in August 2007. Top edge gilt, leather headbands, and Lokta Momi paper covered boards and endsheets.
Jackson example
Full purple goatskin with black and silver leather onlays. Blind-tooled title on spine. Platinum-tooled stars and Hale-Bopp Comet with UFOs on the front board. In the recessed center is a glow-in-the-dark alien reminiscent of that worshiped by the…
Ingalls example
Bound in parchment over boards using the "floating boards" method. Parchment backed with Japanese hanako paper which is also used for the flyleaves and headbands. Sewing tapes in parchment, visible through groove. Hand tooled cover design and title…
Ingalls example
Full red chagrin leather binding in the French technique. Hand sewn silk endbands, handcolored and "crackled" gold top edge, and gold pastepaper endpapers. Title and tooling in 23 karat gold. The volume housed in a matching chemise, slipcase, and…
Ingalls example
The binding reflects the style and techniques proposed for Ficciones including a linear cover design, leather doublure and flyleaf, blind tooling throughout, bound in the French technique. The design is the journey from nothing to nothing on the…
Ingalls example
Bound in limp vellum with natural goat parchment and parchment strap closures. Design elements include handmade leather endbands and natural edges. Unsigned. Bound in 2008.
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