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Subject is exactly "example binding"
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Takacs example
Bradford was a member of the “Order of the Blue String” of the Society of the Garrett, Gotham, 1815. Endpapers and inlays are woodblock prints depicting the secret script of the “Society” and the Knight of the Folding-Stick, a creature fashioned from…
Thomas example
Walnut veneered wooden tubes lashed together using imitation sinew, tubes then attached to river flotsam (sticks and planking) and other found objects (including a miniature facsimile copy of the first edition of Huckleberry Finn) added to the deck,…
Wait example
Terra cotta Harmatan goatskin binding. Hand-decorated paste endsheets with a leather joint. Decorated with leather onlays, acrylic paint, colored foil, and gold tooling. The cross design is based on Wait's own artwork. The square crosses are the…
Levy example
Full dark brown calf over a K-118 binding. Boards have a recessed dark green morocco border with corners inset with green jasper stones. Doublures of multicolored onlays depict books.
Glaister example
Full Niger goatskin binding with onlays of wood veneers and brushed copper and aluminum in recessed areas. Pop-away straps span across the spine. The top edge is partially gilt and its pastedowns and fly leaves are of cork paper.
Lallier example
Full leather binding of salmon color goatskin with leather onlays, pewter and blind tooling. The top edge is gilt with white gold.
Stackpole example
Bound in a full leather closed joint binding with sculpted boards in emerald green, royal blue, and purple Niger goatskin with silver kid. Gold-tooled titling on the spine, blind tooling and multicolored leather onlays on the front board. Top edge…
Spitler example
Bound in a laminated case construction in full goatskin. Cut outs and recesses in the boards show fragments of the poem from the book, "negative" foil stamped on leather. Endpapers are decorated by the binder using paste paper techniques stamped with…
Evetts example
Full leather binding in five colors with twenty-four textual quotations. Gold tooled and stamped using a variety of handle letters and 10-point York type. The top edge is gilt.
Thomas example
This model uses a popular octavo edition with its pages cut and pasted end to end to create a scroll. The scrolling mechanism includes a painted pine framework with brass hardware and ebony knobs. Mounted into a full leather case with the original…
Bourbeau example
The text and large landscape etchings are mounted in an album structure. The binding is fermented flax paper decorated with gold lines, paint splatters, and a painted line representing a river. Gray endpapers, blue leather headbands.
Carlson example
Full leather with pink calf and black and beige goat, various colors of onlay, title gold-tooled on the spine, and lined Moriki dyed endpapers. The illustrations were removed from the brittle support pages, washed to remove acid. The original cloth…
Fox example
Full leather binding including doublures and fly leaves, emerald, natural, and red goatskin with black goatskin onlays to represent the binding as a slice of watermelon.
Frost example
This half-size model reconstructs the printer's sheets by guarding the disbound text foila together. The binding uses a sewn boards structure. Its visual "board panel" appearance echoes the printer's imposition pattern.
Gouey example
Full leather (goatskin) clam shell presentation box with false spine and no titling. The inside of the trays are lined with matching suede. The box tray includes a platform which holds three videocassettes. Resting on top of this platform are two…
Kamph example
Full wine-red oasis goatskin with still-life "painting" of fruit and wine onlay. Gold-tooled highlights and titling.
Lawrence example
These episodes from Haida mythology are bound in full leather, black morocco with onlays of midnight blue and metallic gold goatskins molded over carved board.
Leutz example
Full leather binding of black morocco sewn on cords with laced on boards. Red leather onlays on the raised letterform design. The top edge is gilt with white gold leaf, and has blind-tooled titling.
Miles example
Full Domaki goatskin binding, painted and inlaid to represent a beach and flying kite. Colored linen sewing thread forms the kite string and is forced into an incision in the leather. The endpapers are dyed Tyvek.
Parsons example
Full brown goatskin binding over cut-out boards exposing handmade paper paper endpapers. Wrinkled leather onlays and blind tooling are used to represent a leafless tree. Gold lettered spine titling.
Reid-Cunningham example
Full purple goatskin binding with gold tooling and gold titling on the spine. Edges left untrimmed, goatskin hinges and silk headbands. Thai marbled paper fly leaves and doublures.
Sanders example
Sewn two-on using five supported stations with recessed cords. Covering is in full read leather (goat and calf) applied as irregular patches over twelve alternately inset and raised panels. The panels represent the twelve Wilcox bindings. Endpapers…
Sonnichsen example
Coptic binding with handmade paste paper and onlays of dyed vellum. Leather strips on front and back boards. The top edge is sprinkled. Handmade paper end sheets.
Takacs example
Full leather book-box binding of yellow ochre goatskin with a copper acrylic wash. Relief work depicting a palace door. The cover latches over a beveled glass drop.
Thompson example
German style full leather binding in burgundy Niger goatskin.Die-stamped spine title and design on front and back boards. Hand-sewn headbands in black and burgundy silk.
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