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Subject is exactly "example binding"
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Sonnichsen example
Full leather binding of black goatskin with black morocco and black calfskin onlays. Top edge gilt.
Thompson example
German style full leather binding in burgundy Niger goatskin.Die-stamped spine title and design on front and back boards. Hand-sewn headbands in black and burgundy silk.
Bruce example
Case binding with rust-orange goatskin leather. Multi-colored onlaid leathers are incorporated on to the raised body of the raven designed by the artist to wrap around the surface of the book. A faceted citrine is set as the raven's eye. A black…
Lawrence example
These episodes from Haida mythology are bound in full leather, black morocco with onlays of midnight blue and metallic gold goatskins molded over carved board.
Takacs example
Full leather book-box binding of yellow ochre goatskin with a copper acrylic wash. Relief work depicting a palace door. The cover latches over a beveled glass drop.
Jackson example
Unbound sheets of the two titles sewn as a single volume on three double-cord stations, plain wound endbands sewn with fine Italian silk. Quarter-sawn silver maple boards cut, planed, beveled, and channeled using traditional woodworking tools. Ends…
Wiley example
Full leather binding of brown box calfskin with multi-colored feathered and dark green onlays. Gold-stamped title on front cover. Top edge gilt and gauffered.
Kibby example
Full calf-leather binding hand-dyed by the binder, with leather onlays, gold foil stamping and pearlescent acrylic paint. The cover scene illustrates the Lorelei legend. Leather joint construction with marbled paper by Catherine Levine. Hollow back…
Bennett example
Three board structure with two-piece leather covering (one is suede to create a pictorial sunset). Inlaid agate, various green leather onlays and ascona line onlays were added in reds and oranges. There is onlay titling on the spine. The riverboat is…
Spitler example
Sewn boards structure of drummed on, full emerald goatskin. Relief pattern with distressed and painted design. Full painted edges.
Reid-Cunningham example
Full blue calf binding with a circle of gold leaf spreading from the spine onto both boards, and inset panels of kidskin, fishskin, goatskin, box calf, and abalone shell at the center of both boards. Tooled in palladium leaf. The House North of South…
Fox Butler example
Full leather binding of alum-tawed goatskin stained with aniline dyes. Tooled in gold and palladium.
Kamph example
Purple oasis goatskin, red onlay cut-out "Ariel" figure taken from illustration in the book, green onlay gold-tooled "barometer" indicating stormy weather, recessed only corners with gold-tooled suns.
Pullman example
Bound in full terracotta goatskin with back-pared black and green onlays and leather line onlays. Cover images based on one of the illustrations by Rockwell Kent in the text. Top edge decorated with copper paint and a hand sewn three color silk…
Cordeiro example
Green chagrin leather over boards with raised profile and ear motif, with various tan leather inlays; two raised bands; top and bottom edges speckled.
Lawrence example
Fine binding in full terra cotta goatskin sewn on raised cords and bands. Plumb bob of turquoise, onyx, and moonstone set in sterling silver by Steven Jay Coben; gold tooled line, blacked tooled arc and title; all edges colored; embroidered silk…
Frost example
Utopian Ethiopian early codex binding. Exposed spine sewing on three pairs of stations. Mesquite wood boards and leather ties. Black stenciled design on front and back boards.
Spitler example
Pastepaper décor on Arches text paper with text printed on a HP 1500 inkjet printer. Full leather binding in green Harmatan goatskin. Decorated with leather onlay work, gold tooling, back-pared onlays applied prior to covering, cut foil stamping…
Kibby example
Parchment goatskin with thin, leather onlays, manipulated and mapped over subtle, paper-clay modeling of the book boards to heighten the effects of land erosion. Hand embroidered silk headbands, edge decoration with pastel pigment blended with…
Glaister example
Full Niger goatskin binding with onlays of wood veneers and brushed copper and aluminum in recessed areas. Pop-away straps span across the spine. The top edge is partially gilt and its pastedowns and fly leaves are of cork paper.
Pullman example
Black and red goatskin with red and black inlays, the image on the upper board inspired by the illustrations in the book and the desire to portray a good and evil side to the face. Page edges covered with graphite paint. Handsewn red endbands and…
Wait example
Full leather binding of black goatskin with gold, red, and blind tooling and red onlays. Top edge colored with graphite and gauffered.
Wait example
Fine darkest green leather with colored edges and hand-decorated end sheets. Decorated with acrylic paint, colored foil, and gold tooling. The garden design is based on the artwork of unique art books.
Leutz example
Full leather binding of green goatskin with colored onlays and blind tooling. Gold-stamped label on spine.
Gilly example
Quarter blue goatskin with glass boards; text sewn onto linen tapes laced through holes drilled in zinc frame with brass tubing soldered into holes; hand embroidered silk headbands; all edges colored with graphite; title blind stamped on label of…
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