Skip to main content
Search using this query type:
Keyword
Boolean
Exact match
Search only these record types:
Item
Collection
Exhibit Page
Advanced Search (Items only)
Browse Items (158 total)
Browse All
Browse by Tag
Search Items
Subject is exactly "example binding"
Previous Page
Page
of 7
Next Page
Sort by:
Title
Creator
Date Added
Leutz example
Full leather binding of black morocco sewn on cords with laced on boards. Red leather onlays on the raised letterform design. The top edge is gilt with white gold leaf, and has blind-tooled titling.
Hanmer example
Sewn on flattened cords laced into boards covered in goatskin using Paul Delrue's lacunose technique. Goatskin onlay and inlaid lines. Additional lines incised freehand with "Ascona tool." Leather joints, suede flyleaves, green Takeo paper doublures.…
Thompson example
Full leather binding of oxblood morocco with recessed terra cotta goatskin onlays. Full leather doublures in terra cotta goatskin with oxblood morocco onlays.
Fox example
The binding structure is one that I have been playing around with for more than twenty years. It is simple, basic, and I love that the text can be removed at any time with no damage to the paper or binding. This is the most recent variation of this…
Spitler example
Bound in two colors of gray Hewit and Harmatan goatskin leathers in a laminate case. Decorated with three fish designs made with stamped, cut foils. Paste papers by the binder. Blind tooling and a silver stamped title.
Reid-Cunningham example
Laid paper pastedowns decorated with 23 karat gold leaf, then stamped in the center with the universal symbol of flammable materials. Sections sewn on meeting guards; guards sewn on raised linen cords; cords laced into the boards. There are front…
Hanmer example
Full goatskin binding with laced-in boards. Trade book disbound, guarded, and resewn on flattened cords; leather hinges; doublures and flexi-endsheets of marbled paper by Pamela Smith. Hand sewn, double-core silk headbands; three edges sprinkled with…
Geraty example
Full black goatskin, front and back covers with fields of purple, orange, green, and red goatskin onlays and areas of solid gilt leather, tooled with straight gold lines, spine titled in gold, edges gilt. Endpapers of gray Hahnemühle Bugra paper with…
Spitler example
Bound in a laminated case construction in full goatskin. Cut outs and recesses in the boards show fragments of the poem from the book, "negative" foil stamped on leather. Endpapers are decorated by the binder using paste paper techniques stamped with…
Geigel example
Full blue leather binding in the French tradition with the design of an ancient Greek ship tooled in blind across top and bottom boards with gilded star constellations on top and bottom boards. Edge to edge doublures blind tooled. Top edge in…
Barber example
Full blue goatskin over laced on boards. End papers and doublures of Japanese chiyogami. Hand-sewn silk headbands. Leather onlay, hand tooled verses with India ink, acrylic paints and gold foil stamping. The design represents God's word from creation…
Fox example
Terracotta goatskin bound with variations to the joint structure to allow for better movement and less damage to a heavy text. Native goatskin onlays based on an image in Vesalius’s De humani corporis fabrica. Gold number and letters are marked as in…
Thomas example
This model uses a popular octavo edition with its pages cut and pasted end to end to create a scroll. The scrolling mechanism includes a painted pine framework with brass hardware and ebony knobs. Mounted into a full leather case with the original…
Evetts example
Full leather binding in five colors with twenty-four textual quotations. Gold tooled and stamped using a variety of handle letters and 10-point York type. The top edge is gilt.
Barber example
Yellow ochre leather with figure onlays, cover illustrations include acrylic pochoir painting and additional onlays of leather, design details blind tooled. Endbands are two shades of wheat colored silk over two cores with a front bead. Pastedowns…
Sobotova example
Wraparound hard cover of full goatskin parchment with button tie and parchment strap. Flat gold leaf gilding with cutouts through the parchment and view of color underneath. Top edge gilt and gauffered.
Westapher example
Full leather binding of terra cotta red goatskin with bisque and red onlays; narrow white leather onlays on frame colored onlays. Gold tooling and title in gold on spine. Top edge gilt and gauffered.
Reid-Cunningham example
Pierced vellum binding with yapps and bone clasps. Textblock disbound and edges left untrimmed, original paper covers and spine lined with kozo tissue and bound in. Volume sewn all along on three alum-tawed goatskin thongs with new endsheets of laid…
Jackson example
The flat back case binding of Carmilla is covered in full black goatskin and has red leather inlays. The title is stamped, the lines are tooled, and the text block edges are gilded in 22 carat gold. This binding also features sewn silk headbands,…
Leutz example
Bound using the Jan Sobota-style three-board technique, brown leather covers, rust colored leather doublures, center board edged in black goatskin, tooled leather endbands; book edges are graphite. The cover design features twelve cut-out squares in…
Dossett example
Bound in a medieval style with folios sewn using a French link stitch. Endsheets and extra gatherings at front and back added during the sewing, tapes added during the sewing and then frayed, shaved leather added in spaces between the tapes.…
Burkhard example
Based on medieval binding structures, textblock and marbled endsheets sewn on Pleister tapes with link stitch. Conservation endbands. Layers of pared leather and flannel to support spine, last layer is a vellum spine lining with extended flaps.…
Wozney example
Full dark green goat skin with black goat leather doublures, top edge illustrated with a free-hand design of leaves. Title stamped at an angle on the front of the lime green leather onlay using black foil. Inlays of leaves, based on marble paper by…
Sobotova example
Triple boards attached binding, dark green goatskin for covers and doublures, beige goatskin for middle boards. Sculpted relief depicting ocean water movement. Hand-carved, hand-blown glass set within the front and back covers depicting two main…
Lawrence example
Split board binding of black and grey goatskin with silver goatskin onlay over shaped boards & spine; agate slice set into front board; lap-link sewing over tapes; silver & bronze goatskin headbands; and marbled paper by Catherine Levine.
Previous Page
Page
of 7
Next Page
Output Formats
atom
,
dcmes-xml
,
json
,
omeka-xml
,
rss2