Skip to main content
Search using this query type:
Keyword
Boolean
Exact match
Search only these record types:
Item
Collection
Exhibit Page
Advanced Search (Items only)
Browse Items (158 total)
Browse All
Browse by Tag
Search Items
Subject is exactly "example binding"
Page
of 7
Next Page
Sort by:
Title
Creator
Date Added
Kibby example
Natural goatskin with purple Harmatan goatskin, a modified lacunose technique and stingray onlays. Marbled endsheets by Catherine Levine. The two interlocking circles are based on the vesica piscis. The purple ring symbolizes the spiritual with gilt…
Spitler example
Full green, goatskin over laced-on boards. Paste paper ends by the binder. Design executed with painted foil stamped onlaid leather, tooling colored foils, and relief imagery. The motif illustrates the transformation of a women, the object of the…
Bruce example
Modified split board structure in a style developed by Jan Sobota, acrylic hand-painted leather cover, green textured sheepskin on interior boards. Complementary leather cord headbands, alcohol paper endsheets created specifically for this binding,…
Bourbeau example
The text and large landscape etchings are mounted in an album structure. The binding is fermented flax paper decorated with gold lines, paint splatters, and a painted line representing a river. Gray endpapers, blue leather headbands.
Fletcher example
French style binding with laced-in boards. Bound in bois de rose buffalo skin with back-pared onlays of goat and buffalo. Onlays embellished with hand-embroidered details using cotton embroidery floss. Hand painted border on front board in golden…
Geigel example
The volume was rounded and backed and full bound following the French style with three different pieces of leather used to form the outline of the shoreline of the sea. The intent was to represent the title of the book, La mar, which means the sea.…
Leutz example
Bound using Jan Sobota's two-board binding technique. Terracotta goatskin binding with raised black and brown goatskin onlays to resemble a zebra, title stamped in gold, leather headbands, brown goatskin doublures, top edge colored with acrylics and…
Minter example
Full leather binding of gray goatskin sewn on four raised bands. Raised onlays of maroon leather. Top edge graphite.
Reid-Cunningham example
Sections sewn on meeting guards sewn all along onto three raised linen cords. Front bead silk headbands. Bound in quarter orange goatskin, boards decorated outside and inside with wood veneers, titled and tooled in metallic foil, signed and dated…
Cooksey example
Full terracotta goatskin with leather hinges, hand-sewn French endbands complement colors of endpapers. Blind-tooled smoke coming out of the side of the book, mirroring the illustrations in the book showing smoke elements.
Hoffman example
Sewn boards binding, French link stitch on tapes. Covered with black cloth on spine and purple tweed cloth on the boards. Marbled endpapers. Gold stamped title.
Fox example
The poetry, illustrations, and the countryside Wendell Berry describes inspired this design. Soft, rolling hills are shown using the bas-relief areas and the crops are represented by the rough green leather onlays and gold tooled lines with a dusting…
Fox example
Full dark green and alum-tawed goatskin dyed with gold and palladium leaf and colored foil tooling. The center page is endpapers laminated together with foil tooling. Head colored and gilded center pleat in the binding and the center page. Sewn with…
Tapley example
Hand-forged and drawn ingot sterling silver square wire, hand-forged sterling silver "stars," purchased sterling silver tubes for hinges, purchased sterling silver bezels, and purchased lab-grown rubies. All silver except the stars intentionally…
Nitzberg example
Dark blue goatskin with onlays comprised of vintage English textile designed by William Morris; textiles arranged to create a "Cambridge style" panel motif; gold-tooled design elements. Marbled endpapers. Leather joints, hand-sewn silk endbands.…
Etherington example
Full brown goatskin binding with onlays, titled in black.
Thomas example
Sewn onto wooden dowels. A threaded hollow steel rod connects two redwood hexagons that function as lids or covers. The “book” has a hexagonal slipcase with six panels featuring copies of the original book’s cover attached to a redwood base.…
Takacs example
Bradford was a member of the “Order of the Blue String” of the Society of the Garrett, Gotham, 1815. Endpapers and inlays are woodblock prints depicting the secret script of the “Society” and the Knight of the Folding-Stick, a creature fashioned from…
Franklin example
Old cover removed and pages trimmed, ironed, guarded, and sewn on five bands. Encased in a modified K-118 structure with vellum spine, double boards interspersed with hand-laid paper, hand-sewn headbands, and a sculptural substrate of layered Arches…
Geigel example
Full leather binding in the French technique with three strips of onlaid leather in different colors and lengths and an inlaid disc of lapis lazuli on the upper right corner of the front cover. Edge-to-edge grey leather doublures with the first and…
Nitzberg example
This binding represents an early nineteenth-century bookbinding style: a smooth spine without raised or faux bands, half red leather binding, and the pattern of the marbled paper. There is a flexible hollow tube spine lining: the leather is not…
Buchanan example
Case binding covered in leather over a sculptural rose with leather head bands, leather cover is hand painted. Box containing the book is an intricate part of the overall design, representing the wall around the secret garden with entrance through a…
Fox example
This miniature binding has been sewn on tapes, laced in, with silk endbands. The gilding has been done by Myles at Marchetti Brothers. The outer and inner boards are covered in full goatskin with leather onlays and gold, palladium, and colored foil…
Parsons example
Full brown goatskin binding over cut-out boards exposing handmade paper paper endpapers. Wrinkled leather onlays and blind tooling are used to represent a leafless tree. Gold lettered spine titling.
Lawrence example
Crimson goatskin worked in bas-relief and blind tooled; gold tooled with various sizes of dots, stars, and bells; title gold tooled on spine. Hand embroidered silk headbands; top edge graphite; marbled paper by Catherine Levine. A Christmas ghost…
Page
of 7
Next Page
Output Formats
atom
,
dcmes-xml
,
json
,
omeka-xml
,
rss2