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Subject is exactly "example binding"
Book bound in two-three board binding structure, developed by Jan Sobota with purple French chagrin leather over raised design with attached objects, tooled top edge, sewn silk headbands, doublure and flysheet are copies of Barry Moser's…
Sewn on tapes and forwarded as a Brockman Concave Spine Binding, tab and slot board attachment. Head gilt and colored. Covered in two colors of goatskin, title inlaid on spine, boards tooled in gilt and foil, back inlaid with eggshell lacquer and…
Full dark brown calf over a K-118 binding. Boards have a recessed dark green morocco border with corners inset with green jasper stones. Doublures of multicolored onlays depict books.
Wraparound interlocking full leather binding of blue goatskin with relief onlays and gold tooling. Top edge gilt and gauffered. Gold-tooled title on spine.
Bradel structure with flying boards. Sewn on four yellow snakeskin strips. Yellow leather headbands. Red goatskin back. Wooden boards covered with mahogany veneer. Wooden relief onlays. Ochre suede flyleaves. Decoration depicting Edgard Claes's…
Tightback goatskin binding, sewn on raised cords laced into boards, with a very flat back; all edges gilt and gauffered with a dotted line along either side of each edge; tooling with gold leaf and egg glaire; plain white endsections; single color…
A sculptural binding covered in painted leather, with sewn headbands and decorated top edge, the structure is a three-cover-board structural binding based on the work of Jan Sobota.
A leather binding of royal blue goatskin with yellow, black, and flesh colored onlays. The face and hands of the woman were custom designed by the binder and cast in sterling silver.
Full tightback binding of sea blue oasis goatskin. Onlays of black and natural oasis goatskin. Gold and blind tooling. Gold tooling and title on spine.
Grey oasis goatskin with multicolored, gold-tooled onlays in a frieze design, based on an antique Malaysian pattern with figures taken from a text illustration. The volume is titled in gold on the spine with letters made up from small tools.…
Tight-back binding with text sewn onto linen tapes and laced-on boards of quilted book-matched maple. Spine and hinges in goatskin with an inset of Bisbee turquoise from Arizona delineating the front edge of the quarter binding; endpapers by…
Resewn on three cords. Full red Harmatan goatskin with onlays and tooling. Custom leather and silk box.
Bound in full Harmatan burgundy leather with edge to edge leather doublures. Hand sewn endbands complement the letterpress flyleaf provided by the printer. Two illustrations from the book were simplified, hand tooled on the top and bottom boards, and…
Full goatskin leather binding with sewn-in leather hinge and handmade flax paper flyleaf which has the look of parchment. Sewn on five German woven tapes with linen thread, the edges were gilt "in the rough" without trimming, and the tapes were laced…
Full wine-red oasis goatskin with still-life "painting" of fruit and wine onlay. Gold-tooled highlights and titling.
Full wine colored Oasis goatskin binding with semi-pressed inlays of multicolored goatskin representing fruit, vegetables, and bottles. Gold tooled highlights and titling. Silk headbands worked in dark red and green thread. Twinrockers endpapers. The…
Full leather binding of chocolate goatskin sewn over three stranded cords with laced-on boards. Colored leather onlays and blind tooling. Gold-tooled leather label.
Coptic binding with handmade paste paper and onlays of dyed vellum. Leather strips on front and back boards. The top edge is sprinkled. Handmade paper end sheets.
Bound in limp vellum with natural goat parchment and parchment strap closures. Design elements include handmade leather endbands and natural edges. Unsigned. Bound in 2008.
Bound in parchment over boards using the "floating boards" method. Parchment backed with Japanese hanako paper which is also used for the flyleaves and headbands. Sewing tapes in parchment, visible through groove. Hand tooled cover design and title…
Each page of the text has been affixed to a wooden dowel and arranged on a wooden stand.
Traditional-style full leather binding with tight joints and tight back, covered in natural (undyed) Niger goatskin over sculpted boards; upper and lower boards with onlays of multiple leathers embossed with linoleum cuts and with blind, gold, and…
Full, dark brown French Cape morocco binding with unique magnetic closure developed by binder. Front cover design with Garnett's Laboratory Press printer's device, also in blind on verso. Onlays of French Cape morocco and chagrin leathers with paste…
The binding is a variant on Jean De Gonet's exposed sewing and Renaissance slotted spine structures. The text block was very lightly trimmed to somewhat even the text, the head was gilt and sprinkled, pastedowns of suminagashi and kozo papers were…
Full leather binding of black goatskin with raised surfaces and blind-tooled lines. Top edge gilt. Gold-tooled title on spine.