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Subject is exactly "example binding"
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Alotta example
Full leather, chocolate goatskin, in a traditional laced-on boards binding. Paste paper ends. Sewn headbands, blind tooling. Leather onlays. Pocket watch with altered face showing authors' name and time at which Fogg arrives at club attached to cover…
Sobota example
Sobota’s box binding structure with doubled boards and a middle opening. Green, blue, and brown goatskin. Application of leather and colored Japanese paper. Hand printing in blue. Gold tooling. Roughly-sewn headbands depict ship ropes.
Tapley example
The book is sewn on five frayed linen cords, all text block edges left rough, and bound in full Oasis goatskin using a modified, but traditional, French style. The binding is decorated with multicolored leather onlays to an abstracted cruciform…
Stackpole example
Full leather tight-joint style binding. Fine grain dark blue goatskin "sky" across top of binding; spine and part of both boards covered in navy blue Niger goatskin, with induced wrinkles signifying the river; rest of boards covered in dark green…
Thomas example
Walnut veneered wooden tubes lashed together using imitation sinew, tubes then attached to river flotsam (sticks and planking) and other found objects (including a miniature facsimile copy of the first edition of Huckleberry Finn) added to the deck,…
Thomas example
The cover and all of the pages of the book have been cut and folded in the shape of a cross, and this altered book has been placed in a hinged wooden chemise. Wooden crosses are affixed to the front and back covers and a jeweled clasp acts as a…
Taylor example
Cased in two boards with Harmatan purple leather #29. Text paper is Arches text wove. Marbled endpapers by Kevin Taylor. Flexible purple leather spine colored with gold pigment paint and sewn with “x” stitching to leather covers.
Gilly example
Flat spine tight back case binding (Islamic-style, adapted) in full black goatskin with inlays of white bonded leather (75% leather) with full-color transfers of van Gogh paintings; title blind stamped. Hand embroidered Islamic headband (straight…
Gilly example
Quarter blue goatskin with glass boards; text sewn onto linen tapes laced through holes drilled in zinc frame with brass tubing soldered into holes; hand embroidered silk headbands; all edges colored with graphite; title blind stamped on label of…
Leutz example
Full leather binding of green goatskin with colored onlays and blind tooling. Gold-stamped label on spine.
Wait example
Fine darkest green leather with colored edges and hand-decorated end sheets. Decorated with acrylic paint, colored foil, and gold tooling. The garden design is based on the artwork of unique art books.
Wait example
Full leather binding of black goatskin with gold, red, and blind tooling and red onlays. Top edge colored with graphite and gauffered.
Pullman example
Black and red goatskin with red and black inlays, the image on the upper board inspired by the illustrations in the book and the desire to portray a good and evil side to the face. Page edges covered with graphite paint. Handsewn red endbands and…
Glaister example
Full Niger goatskin binding with onlays of wood veneers and brushed copper and aluminum in recessed areas. Pop-away straps span across the spine. The top edge is partially gilt and its pastedowns and fly leaves are of cork paper.
Kibby example
Parchment goatskin with thin, leather onlays, manipulated and mapped over subtle, paper-clay modeling of the book boards to heighten the effects of land erosion. Hand embroidered silk headbands, edge decoration with pastel pigment blended with…
Spitler example
Pastepaper décor on Arches text paper with text printed on a HP 1500 inkjet printer. Full leather binding in green Harmatan goatskin. Decorated with leather onlay work, gold tooling, back-pared onlays applied prior to covering, cut foil stamping…
Frost example
Utopian Ethiopian early codex binding. Exposed spine sewing on three pairs of stations. Mesquite wood boards and leather ties. Black stenciled design on front and back boards.
Lawrence example
Fine binding in full terra cotta goatskin sewn on raised cords and bands. Plumb bob of turquoise, onyx, and moonstone set in sterling silver by Steven Jay Coben; gold tooled line, blacked tooled arc and title; all edges colored; embroidered silk…
Cordeiro example
Green chagrin leather over boards with raised profile and ear motif, with various tan leather inlays; two raised bands; top and bottom edges speckled.
Pullman example
Bound in full terracotta goatskin with back-pared black and green onlays and leather line onlays. Cover images based on one of the illustrations by Rockwell Kent in the text. Top edge decorated with copper paint and a hand sewn three color silk…
Kamph example
Purple oasis goatskin, red onlay cut-out "Ariel" figure taken from illustration in the book, green onlay gold-tooled "barometer" indicating stormy weather, recessed only corners with gold-tooled suns.
Fox Butler example
Full leather binding of alum-tawed goatskin stained with aniline dyes. Tooled in gold and palladium.
Reid-Cunningham example
Full blue calf binding with a circle of gold leaf spreading from the spine onto both boards, and inset panels of kidskin, fishskin, goatskin, box calf, and abalone shell at the center of both boards. Tooled in palladium leaf. The House North of South…
Spitler example
Sewn boards structure of drummed on, full emerald goatskin. Relief pattern with distressed and painted design. Full painted edges.
Bennett example
Three board structure with two-piece leather covering (one is suede to create a pictorial sunset). Inlaid agate, various green leather onlays and ascona line onlays were added in reds and oranges. There is onlay titling on the spine. The riverboat is…
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