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Subject is exactly "example binding"
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Kibby example
Full calf-leather binding hand-dyed by the binder, with leather onlays, gold foil stamping and pearlescent acrylic paint. The cover scene illustrates the Lorelei legend. Leather joint construction with marbled paper by Catherine Levine. Hollow back…
Wiley example
Full leather binding of brown box calfskin with multi-colored feathered and dark green onlays. Gold-stamped title on front cover. Top edge gilt and gauffered.
Jackson example
Unbound sheets of the two titles sewn as a single volume on three double-cord stations, plain wound endbands sewn with fine Italian silk. Quarter-sawn silver maple boards cut, planed, beveled, and channeled using traditional woodworking tools. Ends…
Takacs example
Full leather book-box binding of yellow ochre goatskin with a copper acrylic wash. Relief work depicting a palace door. The cover latches over a beveled glass drop.
Lawrence example
These episodes from Haida mythology are bound in full leather, black morocco with onlays of midnight blue and metallic gold goatskins molded over carved board.
Bruce example
Case binding with rust-orange goatskin leather. Multi-colored onlaid leathers are incorporated on to the raised body of the raven designed by the artist to wrap around the surface of the book. A faceted citrine is set as the raven's eye. A black…
Thompson example
German style full leather binding in burgundy Niger goatskin.Die-stamped spine title and design on front and back boards. Hand-sewn headbands in black and burgundy silk.
Sonnichsen example
Full leather binding of black goatskin with black morocco and black calfskin onlays. Top edge gilt.
Takacs example
Miniature binding in sculptural stand. Full leather binding with brass clasp covered in black reverse pigskin. Decorated top and bottom edges. Gold-stamped label on spine. The structural stand, also in reverse pigskin, contains a recessed platform…
Hanmer example
French technique binding sewn on flattened cords, laced into boards and covered in a variety of hues of blue leather, mostly goatskin. Tooling and titling in carbon, 23k gold, and dark blue foils. Edge-to-edge goatskin doublures, flyleaves of navy…
Ingalls example
Full red chagrin leather binding in the French technique. Hand sewn silk endbands, handcolored and "crackled" gold top edge, and gold pastepaper endpapers. Title and tooling in 23 karat gold. The volume housed in a matching chemise, slipcase, and…
Jackson example
Full purple goatskin with black and silver leather onlays. Blind-tooled title on spine. Platinum-tooled stars and Hale-Bopp Comet with UFOs on the front board. In the recessed center is a glow-in-the-dark alien reminiscent of that worshiped by the…
Nies example
French style full goat leather, top edge gilt with spiral tooled decoration, double headbands. Upper and lower boards with gold and blind-tooled design, goat leather onlays on top board. Silk front and rear pastedowns, marbled paper by Einen Miura of…
Bruce example
A combination of a variety of three-dimensional materials to create an artist binding that is sculptural in nature.
Carlson example
Full leather with pink calf and black and beige goat, various colors of onlay, title gold-tooled on the spine, and lined Moriki dyed endpapers. The illustrations were removed from the brittle support pages, washed to remove acid. The original cloth…
Caine example
Quarter leather orange goatskin, marbled paper boards with vellum tipped corners, writing pen and title label attached. Gold-tooled title on spine.
Reid-Cunningham example
Bound in alum-tawed goatskin with boards lined with Formica. Roma endsheets. Sewn double-flexible on linen cords. Edges sprinkled with black and red ink. Reverse bead primary endbands. Red and black silk doublecore secondary endbands. Alum-tawed…
Lallier example
Full leather binding of salmon color goatskin with leather onlays, pewter and blind tooling. The top edge is gilt with white gold.
Lallier example
Full Buffalo leather French-technique binding with edge-to-edge leather doublures and flyleaves. Pewter onlays over boards underlying the leather, silk embroidered headbands. The book was bound in 2001.
Adelman example
A French style binding with laced-on boards. The top edge is graphite with red silk hand sewn endbands. The book is covered in black goatskin with black emery paper and black morocco onlays, enclosed in a traditional chemise and slipcase. The shape…
Minksy example
Full leather binding of purple dyed calfskin with vermeil figures, chain, and handcuffs. Box designed as bed for book.
Ensign example
This classic science fiction novel concerns the survival of knowledge through books in a post-apocalyptic world. The binding references use of atomic weapons and the blueprints described in the story. The book is bound in full French chagrin dark…
Franklin example
This well-used paperback had a broken spine, necessitating repair utilizing a single-sheet reconstruction. While viewing an exhibition of the Designer Bookbinders at Oxford University a few years ago, I saw a book bound by Stuart Brockman featuring a…
Kibby example
Full burgundy leather, sewn-on-tape binding over sculpted boards with embossed purple leather carved insets revealing rust and gold leather underneath. The cover design alludes to the themes of impermanence in Millay's poetry. Hollow back spine and…
Pullman example
Sewn on four linen tapes with sponge painted edges and hand sewn silk endbands. Covered in light brown Hewit goatskin with leather hinged Ingres endpapers and marbled paper doublures. Title and two illustrations from the book are gold tooled for the…
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