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Subject is exactly "example binding"
A French style binding with laced-on boards. The top edge is graphite with red silk hand sewn endbands. The book is covered in black goatskin with black emery paper and black morocco onlays, enclosed in a traditional chemise and slipcase. The shape…
Full leather, chocolate goatskin, in a traditional laced-on boards binding. Paste paper ends. Sewn headbands, blind tooling. Leather onlays. Pocket watch with altered face showing authors' name and time at which Fogg arrives at club attached to cover…
Full blue goatskin over laced on boards. End papers and doublures of Japanese chiyogami. Hand-sewn silk headbands. Leather onlay, hand tooled verses with India ink, acrylic paints and gold foil stamping. The design represents God's word from creation…
Bound in full Harmatan burgundy leather with edge to edge leather doublures. Hand sewn endbands complement the letterpress flyleaf provided by the printer. Two illustrations from the book were simplified, hand tooled on the top and bottom boards, and…
Yellow ochre leather with figure onlays, cover illustrations include acrylic pochoir painting and additional onlays of leather, design details blind tooled. Endbands are two shades of wheat colored silk over two cores with a front bead. Pastedowns…
Three board structure with two-piece leather covering (one is suede to create a pictorial sunset). Inlaid agate, various green leather onlays and ascona line onlays were added in reds and oranges. There is onlay titling on the spine. The riverboat is…
Half leather "panel binding" of green goatskin with central panels of needlepoint. Full gilt edges.
The text and large landscape etchings are mounted in an album structure. The binding is fermented flax paper decorated with gold lines, paint splatters, and a painted line representing a river. Gray endpapers, blue leather headbands.
Modified split board structure in a style developed by Jan Sobota, acrylic hand-painted leather cover, green textured sheepskin on interior boards. Complementary leather cord headbands, alcohol paper endsheets created specifically for this binding,…
A combination of a variety of three-dimensional materials to create an artist binding that is sculptural in nature.
Case binding with rust-orange goatskin leather. Multi-colored onlaid leathers are incorporated on to the raised body of the raven designed by the artist to wrap around the surface of the book. A faceted citrine is set as the raven's eye. A black…
A leather binding of royal blue goatskin with yellow, black, and flesh colored onlays. The face and hands of the woman were custom designed by the binder and cast in sterling silver.
A sculptural binding covered in painted leather, with sewn headbands and decorated top edge, the structure is a three-cover-board structural binding based on the work of Jan Sobota.
Case binding covered in leather over a sculptural rose with leather head bands, leather cover is hand painted. Box containing the book is an intricate part of the overall design, representing the wall around the secret garden with entrance through a…
Based on medieval binding structures, textblock and marbled endsheets sewn on Pleister tapes with link stitch. Conservation endbands. Layers of pared leather and flannel to support spine, last layer is a vellum spine lining with extended flaps.…
Half leather binding of maroon goatskin sewn on five raised cords. Central panel of goatskin parchment with calligraphy based on the original manuscript of the play. Gold-tooled title on spine.
Quarter leather orange goatskin, marbled paper boards with vellum tipped corners, writing pen and title label attached. Gold-tooled title on spine.
Full leather with pink calf and black and beige goat, various colors of onlay, title gold-tooled on the spine, and lined Moriki dyed endpapers. The illustrations were removed from the brittle support pages, washed to remove acid. The original cloth…
Full terracotta goatskin with leather hinges, hand-sewn French endbands complement colors of endpapers. Blind-tooled smoke coming out of the side of the book, mirroring the illustrations in the book showing smoke elements.
Green chagrin leather over boards with raised profile and ear motif, with various tan leather inlays; two raised bands; top and bottom edges speckled.
Deiss and Jackson example
Chieftain goatskin covers; Harmatan morocco onlays of terracotta, peach, navy, brown, light blue, and gray; gold leaf illumination, blind tooling, relief printing on minokichi paper. Binding serves as both protection for the text and canvas for…
Bound in a medieval style with folios sewn using a French link stitch. Endsheets and extra gatherings at front and back added during the sewing, tapes added during the sewing and then frayed, shaved leather added in spaces between the tapes.…
Tight-back binding with text sewn onto linen tapes and laced-on boards of quilted book-matched maple. Spine and hinges in goatskin with an inset of Bisbee turquoise from Arizona delineating the front edge of the quarter binding; endpapers by…
Gebrochener Rücken (modified Bradel) binding with text sewn onto tapes. Covers made of watered silk, embroidered with Tudor-era motifs in silk and metallic gold, and embellished with seed pearls. Gold and white decorated endpapers, hand-sewn silk…
This classic science fiction novel concerns the survival of knowledge through books in a post-apocalyptic world. The binding references use of atomic weapons and the blueprints described in the story. The book is bound in full French chagrin dark…