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Subject is exactly "example binding"
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Gouey example
Full leather (goatskin) clam shell presentation box with false spine and no titling. The inside of the trays are lined with matching suede. The box tray includes a platform which holds three videocassettes. Resting on top of this platform are two…
Hanmer example
Binding based on the non-adhesive “clip-on cover” structure developed by United Kingdom binder Kathy Abbott. Text block disbound, outer folios guarded, sewn long stitch with blue linen thread into calf vellum wrapper, covered in limp calf vellum…
Hanmer example
The design echoes a cartoon from the text. Full dark blue Harmatan goatskin, backpared onlays of various blues and greens, and black foil tooling. Marbled endsheets by Cris Takacs, leather joint. Sewn endbands of dark green and dark blue silk.…
Hanmer example
Sewn on flattened cords laced into boards covered in goatskin using Paul Delrue's lacunose technique. Goatskin onlay and inlaid lines. Additional lines incised freehand with "Ascona tool." Leather joints, suede flyleaves, green Takeo paper doublures.…
Hanmer example
French technique binding sewn on flattened cords, laced into boards and covered in a variety of hues of blue leather, mostly goatskin. Tooling and titling in carbon, 23k gold, and dark blue foils. Edge-to-edge goatskin doublures, flyleaves of navy…
Hanmer example
Full goatskin binding with laced-in boards. Trade book disbound, guarded, and resewn on flattened cords; leather hinges; doublures and flexi-endsheets of marbled paper by Pamela Smith. Hand sewn, double-core silk headbands; three edges sprinkled with…
Harms example
The text is from a softcover book I disassembled and reassembled as a long stitch binding through a slotted wrapper. Brown quarter leather is sanded kangaroo with handmade book cloth sides. The cotton book cloth is imaginatively silkscreened with…
Hoffman example
Sewn boards binding, French link stitch on tapes. Covered with black cloth on spine and purple tweed cloth on the boards. Marbled endpapers. Gold stamped title.
Ingalls example
Bound in limp vellum with natural goat parchment and parchment strap closures. Design elements include handmade leather endbands and natural edges. Unsigned. Bound in 2008.
Ingalls example
The binding reflects the style and techniques proposed for Ficciones including a linear cover design, leather doublure and flyleaf, blind tooling throughout, bound in the French technique. The design is the journey from nothing to nothing on the…
Ingalls example
Full red chagrin leather binding in the French technique. Hand sewn silk endbands, handcolored and "crackled" gold top edge, and gold pastepaper endpapers. Title and tooling in 23 karat gold. The volume housed in a matching chemise, slipcase, and…
Ingalls example
Bound in parchment over boards using the "floating boards" method. Parchment backed with Japanese hanako paper which is also used for the flyleaves and headbands. Sewing tapes in parchment, visible through groove. Hand tooled cover design and title…
Jackson example
Full purple goatskin with black and silver leather onlays. Blind-tooled title on spine. Platinum-tooled stars and Hale-Bopp Comet with UFOs on the front board. In the recessed center is a glow-in-the-dark alien reminiscent of that worshiped by the…
Jackson example
Hollow-back binding sewn on three frayed linen cords, quarter leather bound in the skin of a copperhead snake shot and tanned by the binder in August 2007. Top edge gilt, leather headbands, and Lokta Momi paper covered boards and endsheets.
Jackson example
Unbound sheets of the two titles sewn as a single volume on three double-cord stations, plain wound endbands sewn with fine Italian silk. Quarter-sawn silver maple boards cut, planed, beveled, and channeled using traditional woodworking tools. Ends…
Jackson example
The flat back case binding of Carmilla is covered in full black goatskin and has red leather inlays. The title is stamped, the lines are tooled, and the text block edges are gilded in 22 carat gold. This binding also features sewn silk headbands,…
Jones example
Resewn on three cords. Full red Harmatan goatskin with onlays and tooling. Custom leather and silk box.
Kamph example
Full tightback binding of sea blue oasis goatskin. Onlays of black and natural oasis goatskin. Gold and blind tooling. Gold tooling and title on spine.
Kamph example
Full wine-red oasis goatskin with still-life "painting" of fruit and wine onlay. Gold-tooled highlights and titling.
Kamph example
Grey oasis goatskin with multicolored, gold-tooled onlays in a frieze design, based on an antique Malaysian pattern with figures taken from a text illustration. The volume is titled in gold on the spine with letters made up from small tools.…
Kamph example
Purple oasis goatskin, red onlay cut-out "Ariel" figure taken from illustration in the book, green onlay gold-tooled "barometer" indicating stormy weather, recessed only corners with gold-tooled suns.
Kamph example
Full wine colored Oasis goatskin binding with semi-pressed inlays of multicolored goatskin representing fruit, vegetables, and bottles. Gold tooled highlights and titling. Silk headbands worked in dark red and green thread. Twinrockers endpapers. The…
Kellar example
Full leather binding of chocolate goatskin sewn over three stranded cords with laced-on boards. Colored leather onlays and blind tooling. Gold-tooled leather label.
Kibby example
Parchment goatskin with thin, leather onlays, manipulated and mapped over subtle, paper-clay modeling of the book boards to heighten the effects of land erosion. Hand embroidered silk headbands, edge decoration with pastel pigment blended with…
Kibby example
Full calf-leather binding hand-dyed by the binder, with leather onlays, gold foil stamping and pearlescent acrylic paint. The cover scene illustrates the Lorelei legend. Leather joint construction with marbled paper by Catherine Levine. Hollow back…
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