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Subject is exactly "example binding"
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Ramsey example
Full grey Chagrin (French morocco) goatskin with tooled mosaics in six colors of grey leather forming an exotic bouquet of flowers extending around the book. The bouquet includes pencils of yellow morocco, brick colored leather erasers, and silver…
Ramsey example
Full, dark brown French Cape morocco binding with unique magnetic closure developed by binder. Front cover design with Garnett's Laboratory Press printer's device, also in blind on verso. Onlays of French Cape morocco and chagrin leathers with paste…
Ramsey example
Full leather binding of purple morocco with mosaics of chagrin, oasis, box calfskin, and French Cape morocco leathers. Design of various electronic components with fold wires and blind and palladium tooling.
Pullman example
Bound in full terracotta goatskin with back-pared black and green onlays and leather line onlays. Cover images based on one of the illustrations by Rockwell Kent in the text. Top edge decorated with copper paint and a hand sewn three color silk…
Pullman example
Sewn on four linen tapes with sponge painted edges and hand sewn silk endbands. Covered in light brown Hewit goatskin with leather hinged Ingres endpapers and marbled paper doublures. Title and two illustrations from the book are gold tooled for the…
Pullman example
Black and red goatskin with red and black inlays, the image on the upper board inspired by the illustrations in the book and the desire to portray a good and evil side to the face. Page edges covered with graphite paint. Handsewn red endbands and…
Parsons example
Full brown goatskin binding over cut-out boards exposing handmade paper paper endpapers. Wrinkled leather onlays and blind tooling are used to represent a leafless tree. Gold lettered spine titling.
Parsons example
Wraparound interlocking full leather binding of blue goatskin with relief onlays and gold tooling. Top edge gilt and gauffered. Gold-tooled title on spine.
Nitzberg example
This binding represents an early nineteenth-century bookbinding style: a smooth spine without raised or faux bands, half red leather binding, and the pattern of the marbled paper. There is a flexible hollow tube spine lining: the leather is not…
Nitzberg example
Dark blue goatskin with onlays comprised of vintage English textile designed by William Morris; textiles arranged to create a "Cambridge style" panel motif; gold-tooled design elements. Marbled endpapers. Leather joints, hand-sewn silk endbands.…
Nies example
French style full goat leather, top edge gilt with spiral tooled decoration, double headbands. Upper and lower boards with gold and blind-tooled design, goat leather onlays on top board. Silk front and rear pastedowns, marbled paper by Einen Miura of…
Minter example
Full leather binding of gray goatskin sewn on four raised bands. Raised onlays of maroon leather. Top edge graphite.
Minksy example
Full leather binding of purple dyed calfskin with vermeil figures, chain, and handcuffs. Box designed as bed for book.
Miles example
Full Domaki goatskin binding, painted and inlaid to represent a beach and flying kite. Colored linen sewing thread forms the kite string and is forced into an incision in the leather. The endpapers are dyed Tyvek.
Miles example
Full leather binding of dark green goatskin. Multi-colored onlays. Gold-stamped title on spine.
Metzger example
Blank book covered in full goat parchment using a laced-case structure. Text sewn on parchment straps laced through cover, silk front-bead endband sewn on flat parchment core. Covering parchment attached to case using mechanical non-adhesive methods.…
Levy example
Full dark brown calf over a K-118 binding. Boards have a recessed dark green morocco border with corners inset with green jasper stones. Doublures of multicolored onlays depict books.
Leutz example
Bound using the Jan Sobota-style three-board technique, brown leather covers, rust colored leather doublures, center board edged in black goatskin, tooled leather endbands; book edges are graphite. The cover design features twelve cut-out squares in…
Leutz example
Bound using Jan Sobota's two-board binding technique. Terracotta goatskin binding with raised black and brown goatskin onlays to resemble a zebra, title stamped in gold, leather headbands, brown goatskin doublures, top edge colored with acrylics and…
Leutz example
Book bound in two-three board binding structure, developed by Jan Sobota with purple French chagrin leather over raised design with attached objects, tooled top edge, sewn silk headbands, doublure and flysheet are copies of Barry Moser's…
Leutz example
Full leather binding of black morocco sewn on cords with laced on boards. Red leather onlays on the raised letterform design. The top edge is gilt with white gold leaf, and has blind-tooled titling.
Leutz example
Full leather binding of green goatskin with colored onlays and blind tooling. Gold-stamped label on spine.
Lawrence example
Full beige goatskin over bas-relief boards depicting the Holy Spirit as a descending dove, onlays of goatskin, calfskin, and kangaroo skin in various colors; surface gilding; hand-embroidered headbands of purple and pale yellow silk; flyleaves and…
Lawrence example
Crimson goatskin worked in bas-relief and blind tooled; gold tooled with various sizes of dots, stars, and bells; title gold tooled on spine. Hand embroidered silk headbands; top edge graphite; marbled paper by Catherine Levine. A Christmas ghost…
Lawrence example
Fine binding in full terra cotta goatskin sewn on raised cords and bands. Plumb bob of turquoise, onyx, and moonstone set in sterling silver by Steven Jay Coben; gold tooled line, blacked tooled arc and title; all edges colored; embroidered silk…
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