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Subject is exactly "example binding"
Full dark green goat skin with black goat leather doublures, top edge illustrated with a free-hand design of leaves. Title stamped at an angle on the front of the lime green leather onlay using black foil. Inlays of leaves, based on marble paper by…
French technique lace-in boards, covered in full leather in Harmatan purple goatskin. Sewn headbands and 14k gold top edge. Hand carved two-ply board inlay with 14k gold ink. Endpapers are original paste paper made by the binder.
Clamshell box and cover, built in three pieces. Original hand-dyed bookcloth by binder used inside box and quarter bind, elsewhere Cialux evergreen cloth. Binding is traditional codex, with linen thread and tapes, endpapers are deep green Hahnemuhle…
This binding reflects the style and techniques proposed for the Apocrypha, Volume IV of The English Bible Containing the Old Testament & the New printed by the Doves Press. This example utilizes full goatskin case bound with a hollow back, laced…
Full leather binding of brown box calfskin with multi-colored feathered and dark green onlays. Gold-stamped title on front cover. Top edge gilt and gauffered.
Full leather binding of terra cotta red goatskin with bisque and red onlays; narrow white leather onlays on frame colored onlays. Gold tooling and title in gold on spine. Top edge gilt and gauffered.
Terra cotta Harmatan goatskin binding. Hand-decorated paste endsheets with a leather joint. Decorated with leather onlays, acrylic paint, colored foil, and gold tooling. The cross design is based on Wait's own artwork. The square crosses are the…
Fine darkest green leather with colored edges and hand-decorated end sheets. Decorated with acrylic paint, colored foil, and gold tooling. The garden design is based on the artwork of unique art books.
Full leather binding of black goatskin with gold, red, and blind tooling and red onlays. Top edge colored with graphite and gauffered.
German style full leather binding in burgundy Niger goatskin.Die-stamped spine title and design on front and back boards. Hand-sewn headbands in black and burgundy silk.
Full leather binding of oxblood morocco with recessed terra cotta goatskin onlays. Full leather doublures in terra cotta goatskin with oxblood morocco onlays.
The cover and all of the pages of the book have been cut and folded in the shape of a cross, and this altered book has been placed in a hinged wooden chemise. Wooden crosses are affixed to the front and back covers and a jeweled clasp acts as a…
Sewn onto wooden dowels. A threaded hollow steel rod connects two redwood hexagons that function as lids or covers. The “book” has a hexagonal slipcase with six panels featuring copies of the original book’s cover attached to a redwood base.…
Walnut veneered wooden tubes lashed together using imitation sinew, tubes then attached to river flotsam (sticks and planking) and other found objects (including a miniature facsimile copy of the first edition of Huckleberry Finn) added to the deck,…
This model uses a popular octavo edition with its pages cut and pasted end to end to create a scroll. The scrolling mechanism includes a painted pine framework with brass hardware and ebony knobs. Mounted into a full leather case with the original…
Each page of the text has been affixed to a wooden dowel and arranged on a wooden stand.
Cased in two boards with Harmatan purple leather #29. Text paper is Arches text wove. Marbled endpapers by Kevin Taylor. Flexible purple leather spine colored with gold pigment paint and sewn with “x” stitching to leather covers.
The binding is a variant on Jean De Gonet's exposed sewing and Renaissance slotted spine structures. The text block was very lightly trimmed to somewhat even the text, the head was gilt and sprinkled, pastedowns of suminagashi and kozo papers were…
Hand-forged and drawn ingot sterling silver square wire, hand-forged sterling silver "stars," purchased sterling silver tubes for hinges, purchased sterling silver bezels, and purchased lab-grown rubies. All silver except the stars intentionally…
Sewn on tapes and forwarded as a Brockman Concave Spine Binding, tab and slot board attachment. Head gilt and colored. Covered in two colors of goatskin, title inlaid on spine, boards tooled in gilt and foil, back inlaid with eggshell lacquer and…
The book is sewn on five frayed linen cords, all text block edges left rough, and bound in full Oasis goatskin using a modified, but traditional, French style. The binding is decorated with multicolored leather onlays to an abstracted cruciform…
Bradford was a member of the “Order of the Blue String” of the Society of the Garrett, Gotham, 1815. Endpapers and inlays are woodblock prints depicting the secret script of the “Society” and the Knight of the Folding-Stick, a creature fashioned from…
Full leather book-box binding of yellow ochre goatskin with a copper acrylic wash. Relief work depicting a palace door. The cover latches over a beveled glass drop.
Miniature binding in sculptural stand. Full leather binding with brass clasp covered in black reverse pigskin. Decorated top and bottom edges. Gold-stamped label on spine. The structural stand, also in reverse pigskin, contains a recessed platform…
This case-bound book was disassembled and reassembled in the three board structure method (which includes a hollow-tube spine) introduced by Jan Sobota. It was sewn with thick linen thread on Ramieband tapes. All three boards, doublure, and onlay…