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Subject is exactly "example binding"
This binding reflects the style and techniques proposed for the Apocrypha, Volume IV of The English Bible Containing the Old Testament & the New printed by the Doves Press. This example utilizes full goatskin case bound with a hollow back, laced…
The book is sewn on five frayed linen cords, all text block edges left rough, and bound in full Oasis goatskin using a modified, but traditional, French style. The binding is decorated with multicolored leather onlays to an abstracted cruciform…
Sections sewn on meeting guards sewn all along onto three raised linen cords. Front bead silk headbands. Bound in quarter orange goatskin, boards decorated outside and inside with wood veneers, titled and tooled in metallic foil, signed and dated…
Black and red goatskin with red and black inlays, the image on the upper board inspired by the illustrations in the book and the desire to portray a good and evil side to the face. Page edges covered with graphite paint. Handsewn red endbands and…
Full purple goatskin with multi-colored onlays depicting the four evangelists in geometric abstraction, surface gilding, gold and blind tooling. Top edge dyed and partially gilt, hand embroidered headbands of violet and lavender silk with gilding,…
Parchment goatskin with thin, leather onlays, manipulated and mapped over subtle, paper-clay modeling of the book boards to heighten the effects of land erosion. Hand embroidered silk headbands, edge decoration with pastel pigment blended with…
Bound in limp vellum with natural goat parchment and parchment strap closures. Design elements include handmade leather endbands and natural edges. Unsigned. Bound in 2008.
Binding based on the non-adhesive “clip-on cover” structure developed by United Kingdom binder Kathy Abbott. Text block disbound, outer folios guarded, sewn long stitch with blue linen thread into calf vellum wrapper, covered in limp calf vellum…
The poetry, illustrations, and the countryside Wendell Berry describes inspired this design. Soft, rolling hills are shown using the bas-relief areas and the crops are represented by the rough green leather onlays and gold tooled lines with a dusting…
Modified split board structure in a style developed by Jan Sobota, acrylic hand-painted leather cover, green textured sheepskin on interior boards. Complementary leather cord headbands, alcohol paper endsheets created specifically for this binding,…
Full leather binding of brown box calfskin with multi-colored feathered and dark green onlays. Gold-stamped title on front cover. Top edge gilt and gauffered.
Full leather binding of black goatskin with gold, red, and blind tooling and red onlays. Top edge colored with graphite and gauffered.
Full leather binding of oxblood morocco with recessed terra cotta goatskin onlays. Full leather doublures in terra cotta goatskin with oxblood morocco onlays.
Miniature binding in sculptural stand. Full leather binding with brass clasp covered in black reverse pigskin. Decorated top and bottom edges. Gold-stamped label on spine. The structural stand, also in reverse pigskin, contains a recessed platform…
Sewn boards structure of drummed on, full emerald goatskin. Relief pattern with distressed and painted design. Full painted edges.
Full leather binding of black goatskin with black morocco and black calfskin onlays. Top edge gilt.
Wraparound hard cover of full goatskin parchment with button tie and parchment strap. Flat gold leaf gilding with cutouts through the parchment and view of color underneath. Top edge gilt and gauffered.
Wraparound interlocking full leather binding of blue goatskin with relief onlays and gold tooling. Top edge gilt and gauffered. Gold-tooled title on spine.
Full leather binding of gray goatskin sewn on four raised bands. Raised onlays of maroon leather. Top edge graphite.
Full leather binding of purple dyed calfskin with vermeil figures, chain, and handcuffs. Box designed as bed for book.
Full leather binding of green goatskin with colored onlays and blind tooling. Gold-stamped label on spine.
Full leather binding of chocolate goatskin sewn over three stranded cords with laced-on boards. Colored leather onlays and blind tooling. Gold-tooled leather label.
Utopian Ethiopian early codex binding. Exposed spine sewing on three pairs of stations. Mesquite wood boards and leather ties. Black stenciled design on front and back boards.
Half leather binding of maroon goatskin sewn on five raised cords. Central panel of goatskin parchment with calligraphy based on the original manuscript of the play. Gold-tooled title on spine.
Fox Butler example
Full leather binding of alum-tawed goatskin stained with aniline dyes. Tooled in gold and palladium.