https://bridwell.omeka.net/items/browse?advanced%5B0%5D%5Belement_id%5D=50&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Ingalls+example&output=atom2024-03-29T10:41:09-04:00Omekahttps://bridwell.omeka.net/items/show/2317Bound in parchment over boards using the "floating boards" method. Parchment backed with Japanese hanako paper which is also used for the flyleaves and headbands. Sewing tapes in parchment, visible through groove. Hand tooled cover design and title on spine in pale gold. The tooling on the cover envelops the natural markings of parchment. The use of modern papers throughout brings a nice mix with the more historical method of parchment covering. Bound in 2014 and housed in a custom clamshell box.]]>2022-11-26T12:54:35-05:00
]]>https://bridwell.omeka.net/items/show/2149Full red chagrin leather binding in the French technique. Hand sewn silk endbands, handcolored and "crackled" gold top edge, and gold pastepaper endpapers. Title and tooling in 23 karat gold. The volume housed in a matching chemise, slipcase, and clamshell box.]]>2022-11-26T12:54:33-05:00
Charles Perrault.Contes de ma mère l’Oye. Illustrations by S. Delprat, C. Hénault, L. Koechlin, and J.-L. Zirnhelt. Chambon-sur-Lignon, France: Biennales Mondiales de la Reliure d’Art, 2006.
The binding reflects the style and techniques proposed for Ficciones including a linear cover design, leather doublure and flyleaf, blind tooling throughout, bound in the French technique. The design is the journey from nothing to nothing on the cycle of life, a waltz with the “four stars of virtue.”
Stefan Zweig. The Eyes of the Eternal Brother. Translated from the German by Andreas Ruthenberg and illustrated by Ilse Bechert Nesbitt. Austin: Press Intermezzo, 2003.
]]>https://bridwell.omeka.net/items/show/1961Bound in limp vellum with natural goat parchment and parchment strap closures. Design elements include handmade leather endbands and natural edges. Unsigned. Bound in 2008.]]>2022-11-26T12:54:29-05:00