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                <text>Full burgundy leather, sewn-on-tape binding over sculpted boards with embossed purple leather carved insets revealing rust and gold leather underneath. The cover design alludes to the themes of impermanence in Millay's poetry. Hollow back spine and leather joint construction with gold leather doublures. Hand-sewn silk headbands in burgundy, gold, and peach color. Decorative fore-edges with air-brushed gradient flame to peach color, hand lettered book title and hand painted flame motif carried over from the carved book cover motifs. Marbled endpapers by Catherine Levine. The book is housed in a black and deep gold linen clamshell case.</text>
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                <text>Natural goatskin with purple Harmatan goatskin, a modified lacunose technique and stingray onlays. Marbled endsheets by Catherine Levine. The two interlocking circles are based on the vesica piscis. The purple ring symbolizes the spiritual with gilt stars, the flowering Holy Thorn tree represents the material world. On the spine, Excalibur bisects the interlocking shapes while the outer ring binds them as a whole.</text>
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                <text>Alfred, Lord Tennyson. &lt;em&gt;Idylls of the King.&lt;/em&gt; Illustrated by Lynd Ward. New York: Limited Editions Club, 1952.</text>
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