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Title is exactly "Lawrence"
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Lawrence
Black goatskin over bas-relief boards, raised onlays of white alum tawed calfskin with single gold tooled line along short side of each triangle; hand embroidered double-core headbands of red and yellow silk; flyleaves and doublures of marbled paper…
Lawrence
Beige goatskin with onlays of yellow, terracotta, dark brown, and chocolate brown goatskin; inlay of medium blue goatskin. Blind and gold tooling; top edge gilt; hand embroidered headbands; flyleaves and doublures of silk. Full beige goatskin chemise…
Lawrence
Fine binding in full yellow goatskin with onlays of dark, emerald, and lime green goatskins. All edges colored to match yellow leather; double-core silk headbands; blackened tooled title; decorative papers by Catherine Levine; drop-spine box. The…
Lawrence
The binding will consist of split board binding of Sokoto native-tanned goatskin over shaped boards and spine; lap-link sewing over tapes utilizing existing sewing stations; reverse-bead primary headbands of linen, secondary decorative embroidery in…
Lawrence
Full leather binding of beige goatskin over three-dimensional boards, text block sewn onto vellum bands, recessed opal cabochon set into the front cover, and back-pared title of red goatskin. The headbands will be worked in multicolored silk and gold…
Lawrence
The idea for triangles comes from two sources. When you interlace your fingers, palms facing you, and then pull your hands slightly apart the open space in that union creates triangles; also, the triangles with their gold tooled lines suggest a very…
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