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Collection: The 2nd DeGolyer Competition
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Bourbeau example
The text and large landscape etchings are mounted in an album structure. The binding is fermented flax paper decorated with gold lines, paint splatters, and a painted line representing a river. Gray endpapers, blue leather headbands.
Bourbeau
Flax cover binding with 24k gold blocking lines to describe the text. Cover design abstracted from the title page, tooled fly leaves using elements of the cover design, and tri-tone blue silk headbands. Conservation concertina binding construction…
Parsons example
Full brown goatskin binding over cut-out boards exposing handmade paper paper endpapers. Wrinkled leather onlays and blind tooling are used to represent a leafless tree. Gold lettered spine titling.
Carlson
Colors and design chosen to reflect the text. Symbols and recurring imagery including the Celtic knot, Papal keys, water and the Union Jack are used to illustrate the text. Original blue wrappers will be included at the end of the text. Decorative…
Levy example
Full dark brown calf over a K-118 binding. Boards have a recessed dark green morocco border with corners inset with green jasper stones. Doublures of multicolored onlays depict books.
Kamph example
Full wine-red oasis goatskin with still-life "painting" of fruit and wine onlay. Gold-tooled highlights and titling.
Sonnichsen example
Coptic binding with handmade paste paper and onlays of dyed vellum. Leather strips on front and back boards. The top edge is sprinkled. Handmade paper end sheets.
Evetts
Full leather binding in three colors of morocco with quotations tooled and stamped in gold. The design is subdued and reflects the layout and printing of the text. Judges' Distinction for Interpretation
Fox
Full leather binding in pink, yellow, and gray with black goatskin doublures and fly leaves, silk embroidered headbands, and tooling in gold and palladium. Tooled title on the spine.
Frost
The design will reconstruct the text into the original printer's sheets. The evidences of this copy's previous binding will remain. Each printer's sheet will be reconstructed with kozo guards as a throw out. The sewn boards binding structure will be…
Glaister
Design reflects an exploration of depth and complexity of language and its rhythm and pattern. Overall binding design is monochromatic with sculptural components. Five panels stretch across the planes of the binding, with rhythmic sets of slots. When…
Leutz example
Full leather binding of black morocco sewn on cords with laced on boards. Red leather onlays on the raised letterform design. The top edge is gilt with white gold leaf, and has blind-tooled titling.
Gouey
The text block will be sewn on tapes and cased into a full leather binding of blue-green goatskin. The front board of the case bears the title and author's name hot-stamped with white foil. The binding within its box will be housed in a half leather…
Spitler example
Bound in a laminated case construction in full goatskin. Cut outs and recesses in the boards show fragments of the poem from the book, "negative" foil stamped on leather. Endpapers are decorated by the binder using paste paper techniques stamped with…
Thomas example
This model uses a popular octavo edition with its pages cut and pasted end to end to create a scroll. The scrolling mechanism includes a painted pine framework with brass hardware and ebony knobs. Mounted into a full leather case with the original…
Evetts example
Full leather binding in five colors with twenty-four textual quotations. Gold tooled and stamped using a variety of handle letters and 10-point York type. The top edge is gilt.
Kamph
The design is based on sixteenth-century sketches for a missing Bronzino fresco. The intertwined bodies will be beige oasis goatskin onlays on a blue goatskin background. The sample binding includes the technique of applying gold tooling without a…
Lallier
Full black morocco leather binding with recessed circular web of box calf, crunched pewter onlays, and blind lines. The bird design on the back cover represents the emblem of Dublin. 24 circles of box cald and pewter represent the 24 hours of June…
Lawrence
Full leather binding of beige goatskin over three-dimensional boards, text block sewn onto vellum bands, recessed opal cabochon set into the front cover, and back-pared title of red goatskin. The headbands will be worked in multicolored silk and gold…
Leutz
Full leather binding of black goatskin, featuring blue and green goatskin onlays on a raised labyrinth design. Sewn on cords with laced on boards. Back board design is tooled with green leather onlay strips. Black paste paper end sheets with blue and…
Levy
Pale blue leather over a K-118 binding with Molly's last words in gilt on the back. Doublures in muted brown tones. Relief panels in multicolored frames. Headbanks in three colors sewn into the text. Winner: 2000 DeGolyer Award for American…
Reid-Cunningham example
Full purple goatskin binding with gold tooling and gold titling on the spine. Edges left untrimmed, goatskin hinges and silk headbands. Thai marbled paper fly leaves and doublures.
Stackpole example
Bound in a full leather closed joint binding with sculpted boards in emerald green, royal blue, and purple Niger goatskin with silver kid. Gold-tooled titling on the spine, blind tooling and multicolored leather onlays on the front board. Top edge…
Fox example
Full leather binding including doublures and fly leaves, emerald, natural, and red goatskin with black goatskin onlays to represent the binding as a slice of watermelon.
Miles
A full blue-gray oasis goatskin binding. The design will be painted and inlaid in black, brown, white, lavender, green and yellow. Inlaid on the spine are "Joyce" and "1922," and on the front board "Ulysses." The text block is sewn to linen cords.
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