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Collection: The 2nd DeGolyer Competition
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Kamph example
Full wine-red oasis goatskin with still-life "painting" of fruit and wine onlay. Gold-tooled highlights and titling.
Lawrence
Full leather binding of beige goatskin over three-dimensional boards, text block sewn onto vellum bands, recessed opal cabochon set into the front cover, and back-pared title of red goatskin. The headbands will be worked in multicolored silk and gold…
Lawrence example
These episodes from Haida mythology are bound in full leather, black morocco with onlays of midnight blue and metallic gold goatskins molded over carved board.
Leutz
Full leather binding of black goatskin, featuring blue and green goatskin onlays on a raised labyrinth design. Sewn on cords with laced on boards. Back board design is tooled with green leather onlay strips. Black paste paper end sheets with blue and…
Leutz example
Full leather binding of black morocco sewn on cords with laced on boards. Red leather onlays on the raised letterform design. The top edge is gilt with white gold leaf, and has blind-tooled titling.
Miles
A full blue-gray oasis goatskin binding. The design will be painted and inlaid in black, brown, white, lavender, green and yellow. Inlaid on the spine are "Joyce" and "1922," and on the front board "Ulysses." The text block is sewn to linen cords.
Miles example
Full Domaki goatskin binding, painted and inlaid to represent a beach and flying kite. Colored linen sewing thread forms the kite string and is forced into an incision in the leather. The endpapers are dyed Tyvek.
Parsons
Full leather binding of black goatskin, using shades of blue, red, and maroon. The cut outs expose handmade paste paper endpapers. Gold-tooled lettering on the spine.
Parsons example
Full brown goatskin binding over cut-out boards exposing handmade paper paper endpapers. Wrinkled leather onlays and blind tooling are used to represent a leafless tree. Gold lettered spine titling.
Reid-Cunningham
Full crimson calfskin with calf hinges and Cockerell marbled paper fly leaves and doublures. Sewn on frayed cords with silk double headbands. Graphite top edge, the fore edge untrimmed, and the tail edge deckled. Gold and palladium tooling and…
Reid-Cunningham example
Full purple goatskin binding with gold tooling and gold titling on the spine. Edges left untrimmed, goatskin hinges and silk headbands. Thai marbled paper fly leaves and doublures.
Sanders
Sewn two-on, on recessed cords with irregular leather patch covering. Various blues with browns, oranges, and maroons and raised letters of the title on the front board. Finished with handmade colored endpapers and blue silk hand-sewn headbands.
Sanders example
Sewn two-on using five supported stations with recessed cords. Covering is in full read leather (goat and calf) applied as irregular patches over twelve alternately inset and raised panels. The panels represent the twelve Wilcox bindings. Endpapers…
Sonnichsen
The design is a non-literal expression of the book's poetry. The binding will be a traditional French laced on binding of full leather, dark blue and black calf, featuring Martello Tower silhouetted against the night sky. Two-on sewn pattern, with…
Sonnichsen example
Coptic binding with handmade paste paper and onlays of dyed vellum. Leather strips on front and back boards. The top edge is sprinkled. Handmade paper end sheets.
Takacs
Full leather binding of blue goatskin with a gray-green wash and onlays of silver, brown, and blue. Quotations from the text in palladium, in the silver Celtic cross and printed around the turn-ins. Japanese endpapers with calligraphic quotations.
Takacs example
Full leather book-box binding of yellow ochre goatskin with a copper acrylic wash. Relief work depicting a palace door. The cover latches over a beveled glass drop.
Thompson
Bound in full leather using dark green French morocco. A keyhole cut out on the front board reveals the same die-stamped image used on the back cover. Both images will be tooled using a traditional lampblack method. Die-stamped spine with title…
Thompson example
German style full leather binding in burgundy Niger goatskin.Die-stamped spine title and design on front and back boards. Hand-sewn headbands in black and burgundy silk.
Wait
Traditional English style, full leather fine binding with hand-sewn headbands in blue and white silk. The design utilizes a leather joint and paste papers in blue and iridescent gold. The two female figures will be represented in pigment and colored…
Wait example
Fine darkest green leather with colored edges and hand-decorated end sheets. Decorated with acrylic paint, colored foil, and gold tooling. The garden design is based on the artwork of unique art books.
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