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Collection: The 2nd DeGolyer Competition
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Wait example
Fine darkest green leather with colored edges and hand-decorated end sheets. Decorated with acrylic paint, colored foil, and gold tooling. The garden design is based on the artwork of unique art books.
Wait
Traditional English style, full leather fine binding with hand-sewn headbands in blue and white silk. The design utilizes a leather joint and paste papers in blue and iridescent gold. The two female figures will be represented in pigment and colored…
Thompson example
German style full leather binding in burgundy Niger goatskin.Die-stamped spine title and design on front and back boards. Hand-sewn headbands in black and burgundy silk.
Thompson
Bound in full leather using dark green French morocco. A keyhole cut out on the front board reveals the same die-stamped image used on the back cover. Both images will be tooled using a traditional lampblack method. Die-stamped spine with title…
Thomas example
This model uses a popular octavo edition with its pages cut and pasted end to end to create a scroll. The scrolling mechanism includes a painted pine framework with brass hardware and ebony knobs. Mounted into a full leather case with the original…
Thomas
Bound in brown oasis goatskin with red inlay panels and a scrolling page structure with mirror doublures. The title will be blind stamped on the spine. Judges' Distinction for Innovation
Takacs example
Full leather book-box binding of yellow ochre goatskin with a copper acrylic wash. Relief work depicting a palace door. The cover latches over a beveled glass drop.
Takacs
Full leather binding of blue goatskin with a gray-green wash and onlays of silver, brown, and blue. Quotations from the text in palladium, in the silver Celtic cross and printed around the turn-ins. Japanese endpapers with calligraphic quotations.
Stackpole example
Bound in a full leather closed joint binding with sculpted boards in emerald green, royal blue, and purple Niger goatskin with silver kid. Gold-tooled titling on the spine, blind tooling and multicolored leather onlays on the front board. Top edge…
Stackpole
Full leather closed joint binding on nine raised bands with gray Niger goatskin, blind tooling and onlays of beige, warm gray and blue leathers. Titling in gold, cream paper endpapers with leather hinges, hand-sewn headbands, and gilt top edges. The…
Spitler example
Bound in a laminated case construction in full goatskin. Cut outs and recesses in the boards show fragments of the poem from the book, "negative" foil stamped on leather. Endpapers are decorated by the binder using paste paper techniques stamped with…
Spitler
Bound in a laminated case construction covered in two colors of warm green Harmatan goatskin. Will feature cut outs and recesses that reveal selected text from the book. A section of a Dublin street map will be blind embossed in the background.…
Sonnichsen example
Coptic binding with handmade paste paper and onlays of dyed vellum. Leather strips on front and back boards. The top edge is sprinkled. Handmade paper end sheets.
Sonnichsen
The design is a non-literal expression of the book's poetry. The binding will be a traditional French laced on binding of full leather, dark blue and black calf, featuring Martello Tower silhouetted against the night sky. Two-on sewn pattern, with…
Sanders example
Sewn two-on using five supported stations with recessed cords. Covering is in full read leather (goat and calf) applied as irregular patches over twelve alternately inset and raised panels. The panels represent the twelve Wilcox bindings. Endpapers…
Sanders
Sewn two-on, on recessed cords with irregular leather patch covering. Various blues with browns, oranges, and maroons and raised letters of the title on the front board. Finished with handmade colored endpapers and blue silk hand-sewn headbands.
Reid-Cunningham example
Full purple goatskin binding with gold tooling and gold titling on the spine. Edges left untrimmed, goatskin hinges and silk headbands. Thai marbled paper fly leaves and doublures.
Reid-Cunningham
Full crimson calfskin with calf hinges and Cockerell marbled paper fly leaves and doublures. Sewn on frayed cords with silk double headbands. Graphite top edge, the fore edge untrimmed, and the tail edge deckled. Gold and palladium tooling and…
Parsons example
Full brown goatskin binding over cut-out boards exposing handmade paper paper endpapers. Wrinkled leather onlays and blind tooling are used to represent a leafless tree. Gold lettered spine titling.
Parsons
Full leather binding of black goatskin, using shades of blue, red, and maroon. The cut outs expose handmade paste paper endpapers. Gold-tooled lettering on the spine.
Miles example
Full Domaki goatskin binding, painted and inlaid to represent a beach and flying kite. Colored linen sewing thread forms the kite string and is forced into an incision in the leather. The endpapers are dyed Tyvek.
Miles
A full blue-gray oasis goatskin binding. The design will be painted and inlaid in black, brown, white, lavender, green and yellow. Inlaid on the spine are "Joyce" and "1922," and on the front board "Ulysses." The text block is sewn to linen cords.
Levy example
Full dark brown calf over a K-118 binding. Boards have a recessed dark green morocco border with corners inset with green jasper stones. Doublures of multicolored onlays depict books.
Levy
Pale blue leather over a K-118 binding with Molly's last words in gilt on the back. Doublures in muted brown tones. Relief panels in multicolored frames. Headbanks in three colors sewn into the text. Winner: 2000 DeGolyer Award for American…
Leutz example
Full leather binding of black morocco sewn on cords with laced on boards. Red leather onlays on the raised letterform design. The top edge is gilt with white gold leaf, and has blind-tooled titling.
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