Browse Items (32 total)

Bound using Jan Sobota's two-board binding technique. Terracotta goatskin binding with raised black and brown goatskin onlays to resemble a zebra, title stamped in gold, leather headbands, brown goatskin doublures, top edge colored with acrylics and…

An un-dyed calfskin binding featuring calf hinges and suminagashi endpapers; sewing on meeting guards and tapes; head decorated with graphite; silk double-core headbands; palladium leaf impressed with swirling lines and abalone shell and edged in…

Full blue calf binding with a circle of gold leaf spreading from the spine onto both boards, and inset panels of kidskin, fishskin, goatskin, box calf, and abalone shell at the center of both boards. Tooled in palladium leaf. The House North of South…

Bradel structure with floating back. Green pressed lacquered endpapers. Sewn on four natural tapes. Hand colored silk headbands. Green goatskin back with one fishskin strip on spine. Title and author printed with beige foil. Wooden boards covered…

Bradel structure with flying boards. Sewn on four yellow snakeskin strips. Yellow leather headbands. Red goatskin back. Wooden boards covered with mahogany veneer. Wooden relief onlays. Ochre suede flyleaves. Decoration depicting Edgard Claes's…

Various decorative techniques on tan Hewit's goatskin leather including traditional onlay leather with gold and blind tooling, painted and stenciled acrylic, and colored cut-foil technique. Geological strata of back-pared leather symbolizes layers of…

Pastepaper décor on Arches text paper with text printed on a HP 1500 inkjet printer. Full leather binding in green Harmatan goatskin. Decorated with leather onlay work, gold tooling, back-pared onlays applied prior to covering, cut foil stamping…
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