Browse Items (32 total)

Pastepaper décor on Arches text paper with text printed on a HP 1500 inkjet printer. Full leather binding in green Harmatan goatskin. Decorated with leather onlay work, gold tooling, back-pared onlays applied prior to covering, cut foil stamping…

Various decorative techniques on tan Hewit's goatskin leather including traditional onlay leather with gold and blind tooling, painted and stenciled acrylic, and colored cut-foil technique. Geological strata of back-pared leather symbolizes layers of…

Bradel structure with flying boards. Sewn on four yellow snakeskin strips. Yellow leather headbands. Red goatskin back. Wooden boards covered with mahogany veneer. Wooden relief onlays. Ochre suede flyleaves. Decoration depicting Edgard Claes's…

Bradel structure with floating back. Green pressed lacquered endpapers. Sewn on four natural tapes. Hand colored silk headbands. Green goatskin back with one fishskin strip on spine. Title and author printed with beige foil. Wooden boards covered…

Full blue calf binding with a circle of gold leaf spreading from the spine onto both boards, and inset panels of kidskin, fishskin, goatskin, box calf, and abalone shell at the center of both boards. Tooled in palladium leaf. The House North of South…

An un-dyed calfskin binding featuring calf hinges and suminagashi endpapers; sewing on meeting guards and tapes; head decorated with graphite; silk double-core headbands; palladium leaf impressed with swirling lines and abalone shell and edged in…

Bound using Jan Sobota's two-board binding technique. Terracotta goatskin binding with raised black and brown goatskin onlays to resemble a zebra, title stamped in gold, leather headbands, brown goatskin doublures, top edge colored with acrylics and…

Binding will utilize Jan Sobota's two-board binding technique. Green goatskin wrinkled as waves, raised dark and light brown goatskin onlays form a canoe, branch pressed into covers resembles shadows from overhanging branches, title stamped in blind,…

Crimson goatskin worked in bas-relief and blind tooled; gold tooled with various sizes of dots, stars, and bells; title gold tooled on spine. Hand embroidered silk headbands; top edge graphite; marbled paper by Catherine Levine. A Christmas ghost…

Beige goatskin with onlays of yellow, terracotta, dark brown, and chocolate brown goatskin; inlay of medium blue goatskin. Blind and gold tooling; top edge gilt; hand embroidered headbands; flyleaves and doublures of silk. Full beige goatskin chemise…

Natural goatskin with purple Harmatan goatskin, a modified lacunose technique and stingray onlays. Marbled endsheets by Catherine Levine. The two interlocking circles are based on the vesica piscis. The purple ring symbolizes the spiritual with gilt…

Deep brown goatskin representing land, edged with lacunose and biscuit onlays. Thin blue inlaid lines dissecting the deep brown cover. A river shaped inset panel, covered in parchment with blue goatskin onlays depicting familiar Texas icons. Leather…

Purple oasis goatskin, red onlay cut-out "Ariel" figure taken from illustration in the book, green onlay gold-tooled "barometer" indicating stormy weather, recessed only corners with gold-tooled suns.

Fall blue-green oasis goatskin, brown and rust onlays, Italian Restauro endpapers. Onlays in blind and gold tooled to represent permanence (blind) and transience (gold). Reflections on what will be gold wavy lines. Colors to be used symbolically:…

Hollow-back binding sewn on three frayed linen cords, quarter leather bound in the skin of a copperhead snake shot and tanned by the binder in August 2007. Top edge gilt, leather headbands, and Lokta Momi paper covered boards and endsheets.

Quarter leather bound in the skin of a western diamondback rattlesnake (Crotalus atrox) to be caught, killed, and tanned by the binder in Jack County, not far from the banks of the Brazos River. Textblock sewn on five frayed linen cords, painted…

Full red chagrin leather binding in the French technique. Hand sewn silk endbands, handcolored and "crackled" gold top edge, and gold pastepaper endpapers. Title and tooling in 23 karat gold. The volume housed in a matching chemise, slipcase, and…

Binding structure in the French technique, with deep-blue goatskin with 'Birdsong' lines and titling hand tooled in 23 karat gold. Silk thread endbands, natural top edge, endsheets of blue pastepaper with sparkles of gold. "Sunken suede" doublures.…

Sewn on flattened cords laced into boards covered in goatskin using Paul Delrue's lacunose technique. Goatskin onlay and inlaid lines. Additional lines incised freehand with "Ascona tool." Leather joints, suede flyleaves, green Takeo paper doublures.…

French technique fine binding with sewn-on flattened cords laced into boards covered in full goatskin using Paul Delrue's lacunose technique. Goatskin onlay and inlaid lines. Leather joints, suede flyleaves, earth tone textured machine-made Japanese…

Full blue leather binding in the French tradition with the design of an ancient Greek ship tooled in blind across top and bottom boards with gilded star constellations on top and bottom boards. Edge to edge doublures blind tooled. Top edge in…

Full beige leather binding in the French tradition with one window cut and opened on each board framing a photograph taken by the binder representing the Brazos. The inside cover will be finished in edge to edge doublures. The top edge will be…

This miniature binding has been sewn on tapes, laced in, with silk endbands. The gilding has been done by Myles at Marchetti Brothers. The outer and inner boards are covered in full goatskin with leather onlays and gold, palladium, and colored foil…

The Brazos River flows south-southeast as shown in the design. The head of the text will be colored and then gilded with various colors of gold and palladium to shimmer as light on water. Full goatskin with leather onlays and several colors of gold…

Tight-back binding with text sewn onto linen tapes and laced-on boards of quilted book-matched maple. Spine and hinges in goatskin with an inset of Bisbee turquoise from Arizona delineating the front edge of the quarter binding; endpapers by…
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