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Collection: The 6th DeGolyer Competition
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Barber
Dark teal blue French shagreen leather, cover illustrations include acrylic pochoir painting, onlays of various leathers, design details blind tooled. Endbands in two colors of blue silk with white accents. Pastedowns and endsheets made of…
Cooksey example
Full terracotta goatskin with leather hinges, hand-sewn French endbands complement colors of endpapers. Blind-tooled smoke coming out of the side of the book, mirroring the illustrations in the book showing smoke elements.
Tapley example
Hand-forged and drawn ingot sterling silver square wire, hand-forged sterling silver "stars," purchased sterling silver tubes for hinges, purchased sterling silver bezels, and purchased lab-grown rubies. All silver except the stars intentionally…
Nitzberg example
Dark blue goatskin with onlays comprised of vintage English textile designed by William Morris; textiles arranged to create a "Cambridge style" panel motif; gold-tooled design elements. Marbled endpapers. Leather joints, hand-sewn silk endbands.…
Franklin example
Old cover removed and pages trimmed, ironed, guarded, and sewn on five bands. Encased in a modified K-118 structure with vellum spine, double boards interspersed with hand-laid paper, hand-sewn headbands, and a sculptural substrate of layered Arches…
Bruce
Using a three-cover-board structural binding, the volume will be covered in white goatskin leather with red leather doublures. Cover design will be a contemporary cross of wood made of veneers and leather onlays. At the intersection of the vertical…
Buchanan
Design is intended to evoke the fundamental purpose of Christian life represented in the text, characterized by its emphasis on the interior life and withdrawal from the world. Book to be bound in black leather with cover design and title embossed in…
Burkhard
Based on simplified French binding. Endsheets of Fabriano Roma handmade paper. Harmatan goatskin in dark green and biscuit cover the front and back boards. Insets on front board include the focal design and title. Larger inset based on…
Buchanan example
Case binding covered in leather over a sculptural rose with leather head bands, leather cover is hand painted. Box containing the book is an intricate part of the overall design, representing the wall around the secret garden with entrance through a…
Feinstein example
Tightback goatskin binding, sewn on raised cords laced into boards, with a very flat back; all edges gilt and gauffered with a dotted line along either side of each edge; tooling with gold leaf and egg glaire; plain white endsections; single color…
Bruce example
A sculptural binding covered in painted leather, with sewn headbands and decorated top edge, the structure is a three-cover-board structural binding based on the work of Jan Sobota.
Cooksey
Dark brown calfskin with transparent vellum incorporated in the design, vellum with ink drawing of a robot, in darker metallic colors, and a god, with warm colors. Marbled flyleaves to match brown calfskin of covers. Design depicts a futuristic…
Deiss and Jackson
Front and back covers with gold fillets between red and burgundy/brown rays, gold fillet at edges of board faces. Title and author gold tooled on spine. Blind tooling around inner edge of front girandole, DIXITQUE DEUS FIAT LUX (with gold leaf…
Dossett
The design is in keeping with this book of devotion and duty to Christ. Binding in medieval style to reflect the time period in which the book was first written. Plain brown or light brown leather, Coptic stitching for the binding, title in black…
Elder
Gebrochener Rücken (modified Bradel) binding with text sewn onto tapes. Covers made of cerise-colored silk, embroidered in metallic gold with Chi-Rho symbol on the front cover and Alpha-Omega symbol on the back cover. Symbols framed by lace,…
Etherington
Full purple goatskin with colored onlays and gold tooling with a cross motif.
Feinstein
Full purple goatskin binding; sewn-in leather hinge; leather doublures surface gilt and tooled in palladium, with tripartite corner motifs with onlays; double core silk headbands; neutral endpapers matching the text. The outside of the book is meant…
Fox
Full terracota goatskin, green goatskin doublures, and Cave paper endpapers. The four books of the text are represented by the four pages of different colored green goatskin onlays circling in and surrounding the dusting of gold which represents the…
Stackpole example
Traditional-style full leather binding with tight joints and tight back, covered in natural (undyed) Niger goatskin over sculpted boards; upper and lower boards with onlays of multiple leathers embossed with linoleum cuts and with blind, gold, and…
Franklin
Beveled double boards layered with hand-laid paper, vellum spine lining, seven raised bands, sewn in headbands. Scarlet Harmatan goat hide molded on a bas-relief sculptural substrate of Arches watercolor paper layered in three planes. Endpapers hand…
Geraty
Full Russell’s Oasis red goatskin, the color chosen to symbolize the blood of Christ. Front cover with a large tilted cross composed of many small handmade shapes tooled in blind describing the overall outline of the cross. When both front and back…
Gilly
Quarter black goatskin with glass boards; text sewn onto linen tapes laced through glass covers with zinc patinated frames; hand embroidered silk headbands; flyleaves of Unryushi Sume off-white paper. Front cover with center depiction of Christ…
Hanmer
Book will be disbound. Original boards and spine to be housed in a separate enclosure matching that made for the new binding. Signatures guarded and repaired as necessary. Text block will not be trimmed, double folios of plain handmade paper…
Geraty example
Full black goatskin, front and back covers with fields of purple, orange, green, and red goatskin onlays and areas of solid gilt leather, tooled with straight gold lines, spine titled in gold, edges gilt. Endpapers of gray Hahnemühle Bugra paper with…
Jackson
The design evokes the gothic style of binding prevalent during the author's lifetime. Textblock disassembled, repaired as needed, and then sewn on five double-cord stations. Unbleached linen cords laced into cured, quarter-sawn wooden boards…
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