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Collection: The 6th DeGolyer Competition
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Metzger
Parchment bound over sturdy cover boards, highlighting the living patterns of goatskin parchment without flattening the skin in any way by using adhesives. Five parchment lacings weave through the cover creating a variety of crosses. On the front, a…
Etherington example
Full orange goatskin with green and black goatskin onlays and gold tooling.
Wozney example
Full dark green goat skin with black goat leather doublures, top edge illustrated with a free-hand design of leaves. Title stamped at an angle on the front of the lime green leather onlay using black foil. Inlays of leaves, based on marble paper by…
Burkhard example
Based on medieval binding structures, textblock and marbled endsheets sewn on Pleister tapes with link stitch. Conservation endbands. Layers of pared leather and flannel to support spine, last layer is a vellum spine lining with extended flaps.…
Dossett example
Bound in a medieval style with folios sewn using a French link stitch. Endsheets and extra gatherings at front and back added during the sewing, tapes added during the sewing and then frayed, shaved leather added in spaces between the tapes.…
Leutz example
Bound using the Jan Sobota-style three-board technique, brown leather covers, rust colored leather doublures, center board edged in black goatskin, tooled leather endbands; book edges are graphite. The cover design features twelve cut-out squares in…
Leutz
Bound in the Jan Sobota-style three-board technique, full black goatskin with an inlay design in the front cover consisting of twenty-four leather covered magnetic squares. Twenty-four squares of chocolate brown leather on one side; on the reverse:…
Lawrence
Black goatskin over bas-relief boards, raised onlays of white alum tawed calfskin with single gold tooled line along short side of each triangle; hand embroidered double-core headbands of red and yellow silk; flyleaves and doublures of marbled paper…
Reid-Cunningham example
Pierced vellum binding with yapps and bone clasps. Textblock disbound and edges left untrimmed, original paper covers and spine lined with kozo tissue and bound in. Volume sewn all along on three alum-tawed goatskin thongs with new endsheets of laid…
Kibby
Full rust Harmatan goatskin. Cross, nail, and flowing cloth elements are onlays in cream and chocolate goatskin. A sliced geode crystal is inset into a gold and red goatskin dimensional halo at the intersection of the cross beam with a raised circlet…
Barber example
Yellow ochre leather with figure onlays, cover illustrations include acrylic pochoir painting and additional onlays of leather, design details blind tooled. Endbands are two shades of wheat colored silk over two cores with a front bead. Pastedowns…
Fox example
Terracotta goatskin bound with variations to the joint structure to allow for better movement and less damage to a heavy text. Native goatskin onlays based on an image in Vesalius’s De humani corporis fabrica. Gold number and letters are marked as in…
Jackson
The design evokes the gothic style of binding prevalent during the author's lifetime. Textblock disassembled, repaired as needed, and then sewn on five double-cord stations. Unbleached linen cords laced into cured, quarter-sawn wooden boards…
Geraty example
Full black goatskin, front and back covers with fields of purple, orange, green, and red goatskin onlays and areas of solid gilt leather, tooled with straight gold lines, spine titled in gold, edges gilt. Endpapers of gray Hahnemühle Bugra paper with…
Hanmer
Book will be disbound. Original boards and spine to be housed in a separate enclosure matching that made for the new binding. Signatures guarded and repaired as necessary. Text block will not be trimmed, double folios of plain handmade paper…
Gilly
Quarter black goatskin with glass boards; text sewn onto linen tapes laced through glass covers with zinc patinated frames; hand embroidered silk headbands; flyleaves of Unryushi Sume off-white paper. Front cover with center depiction of Christ…
Geraty
Full Russell’s Oasis red goatskin, the color chosen to symbolize the blood of Christ. Front cover with a large tilted cross composed of many small handmade shapes tooled in blind describing the overall outline of the cross. When both front and back…
Franklin
Beveled double boards layered with hand-laid paper, vellum spine lining, seven raised bands, sewn in headbands. Scarlet Harmatan goat hide molded on a bas-relief sculptural substrate of Arches watercolor paper layered in three planes. Endpapers hand…
Stackpole example
Traditional-style full leather binding with tight joints and tight back, covered in natural (undyed) Niger goatskin over sculpted boards; upper and lower boards with onlays of multiple leathers embossed with linoleum cuts and with blind, gold, and…
Fox
Full terracota goatskin, green goatskin doublures, and Cave paper endpapers. The four books of the text are represented by the four pages of different colored green goatskin onlays circling in and surrounding the dusting of gold which represents the…
Feinstein
Full purple goatskin binding; sewn-in leather hinge; leather doublures surface gilt and tooled in palladium, with tripartite corner motifs with onlays; double core silk headbands; neutral endpapers matching the text. The outside of the book is meant…
Etherington
Full purple goatskin with colored onlays and gold tooling with a cross motif.
Elder
Gebrochener Rücken (modified Bradel) binding with text sewn onto tapes. Covers made of cerise-colored silk, embroidered in metallic gold with Chi-Rho symbol on the front cover and Alpha-Omega symbol on the back cover. Symbols framed by lace,…
Dossett
The design is in keeping with this book of devotion and duty to Christ. Binding in medieval style to reflect the time period in which the book was first written. Plain brown or light brown leather, Coptic stitching for the binding, title in black…
Deiss and Jackson
Front and back covers with gold fillets between red and burgundy/brown rays, gold fillet at edges of board faces. Title and author gold tooled on spine. Blind tooling around inner edge of front girandole, DIXITQUE DEUS FIAT LUX (with gold leaf…
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