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Collection: The 6th DeGolyer Competition
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Lawrence
Black goatskin over bas-relief boards, raised onlays of white alum tawed calfskin with single gold tooled line along short side of each triangle; hand embroidered double-core headbands of red and yellow silk; flyleaves and doublures of marbled paper…
Lawrence example
Full beige goatskin over bas-relief boards depicting the Holy Spirit as a descending dove, onlays of goatskin, calfskin, and kangaroo skin in various colors; surface gilding; hand-embroidered headbands of purple and pale yellow silk; flyleaves and…
Ramsey
Ref French Cape morocco with design inspired by French cathedral windows. Covers tooled in blind and gold with black mosaics. Doublures of black and grey engraved decorated papers to compliment the frontispiece. Flyleaves of black suede. Title tooled…
Ramsey example
Full grey Chagrin (French morocco) goatskin with tooled mosaics in six colors of grey leather forming an exotic bouquet of flowers extending around the book. The bouquet includes pencils of yellow morocco, brick colored leather erasers, and silver…
Pullman
Full maroon goatskin with red leather onlays. Traditional panel and gilt spine with individual tools to acknowledge the period when the book was printed, a more contemporary design element with the figure of the young Christ tooled in the front…
Pullman example
Sewn on four linen tapes with sponge painted edges and hand sewn silk endbands. Covered in light brown Hewit goatskin with leather hinged Ingres endpapers and marbled paper doublures. Title and two illustrations from the book are gold tooled for the…
Barber
Dark teal blue French shagreen leather, cover illustrations include acrylic pochoir painting, onlays of various leathers, design details blind tooled. Endbands in two colors of blue silk with white accents. Pastedowns and endsheets made of…
Barber example
Yellow ochre leather with figure onlays, cover illustrations include acrylic pochoir painting and additional onlays of leather, design details blind tooled. Endbands are two shades of wheat colored silk over two cores with a front bead. Pastedowns…
Bruce
Using a three-cover-board structural binding, the volume will be covered in white goatskin leather with red leather doublures. Cover design will be a contemporary cross of wood made of veneers and leather onlays. At the intersection of the vertical…
Bruce example
A sculptural binding covered in painted leather, with sewn headbands and decorated top edge, the structure is a three-cover-board structural binding based on the work of Jan Sobota.
Buchanan
Design is intended to evoke the fundamental purpose of Christian life represented in the text, characterized by its emphasis on the interior life and withdrawal from the world. Book to be bound in black leather with cover design and title embossed in…
Buchanan example
Case binding covered in leather over a sculptural rose with leather head bands, leather cover is hand painted. Box containing the book is an intricate part of the overall design, representing the wall around the secret garden with entrance through a…
Burkhard
Based on simplified French binding. Endsheets of Fabriano Roma handmade paper. Harmatan goatskin in dark green and biscuit cover the front and back boards. Insets on front board include the focal design and title. Larger inset based on…
Burkhard example
Based on medieval binding structures, textblock and marbled endsheets sewn on Pleister tapes with link stitch. Conservation endbands. Layers of pared leather and flannel to support spine, last layer is a vellum spine lining with extended flaps.…
Cooksey
Dark brown calfskin with transparent vellum incorporated in the design, vellum with ink drawing of a robot, in darker metallic colors, and a god, with warm colors. Marbled flyleaves to match brown calfskin of covers. Design depicts a futuristic…
Cooksey example
Full terracotta goatskin with leather hinges, hand-sewn French endbands complement colors of endpapers. Blind-tooled smoke coming out of the side of the book, mirroring the illustrations in the book showing smoke elements.
Deiss and Jackson
Front and back covers with gold fillets between red and burgundy/brown rays, gold fillet at edges of board faces. Title and author gold tooled on spine. Blind tooling around inner edge of front girandole, DIXITQUE DEUS FIAT LUX (with gold leaf…
Deiss and Jackson example
Chieftain goatskin covers; Harmatan morocco onlays of terracotta, peach, navy, brown, light blue, and gray; gold leaf illumination, blind tooling, relief printing on minokichi paper. Binding serves as both protection for the text and canvas for…
Dossett
The design is in keeping with this book of devotion and duty to Christ. Binding in medieval style to reflect the time period in which the book was first written. Plain brown or light brown leather, Coptic stitching for the binding, title in black…
Dossett example
Bound in a medieval style with folios sewn using a French link stitch. Endsheets and extra gatherings at front and back added during the sewing, tapes added during the sewing and then frayed, shaved leather added in spaces between the tapes.…
Elder
Gebrochener Rücken (modified Bradel) binding with text sewn onto tapes. Covers made of cerise-colored silk, embroidered in metallic gold with Chi-Rho symbol on the front cover and Alpha-Omega symbol on the back cover. Symbols framed by lace,…
Elder example
Gebrochener Rücken (modified Bradel) binding with text sewn onto tapes. Covers made of watered silk, embroidered with Tudor-era motifs in silk and metallic gold, and embellished with seed pearls. Gold and white decorated endpapers, hand-sewn silk…
Etherington
Full purple goatskin with colored onlays and gold tooling with a cross motif.
Etherington example
Full orange goatskin with green and black goatskin onlays and gold tooling.
Feinstein
Full purple goatskin binding; sewn-in leather hinge; leather doublures surface gilt and tooled in palladium, with tripartite corner motifs with onlays; double core silk headbands; neutral endpapers matching the text. The outside of the book is meant…
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