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Collection: The 6th DeGolyer Competition
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Feinstein example
Tightback goatskin binding, sewn on raised cords laced into boards, with a very flat back; all edges gilt and gauffered with a dotted line along either side of each edge; tooling with gold leaf and egg glaire; plain white endsections; single color…
Fox
Full terracota goatskin, green goatskin doublures, and Cave paper endpapers. The four books of the text are represented by the four pages of different colored green goatskin onlays circling in and surrounding the dusting of gold which represents the…
Fox example
Terracotta goatskin bound with variations to the joint structure to allow for better movement and less damage to a heavy text. Native goatskin onlays based on an image in Vesalius’s De humani corporis fabrica. Gold number and letters are marked as in…
Franklin
Beveled double boards layered with hand-laid paper, vellum spine lining, seven raised bands, sewn in headbands. Scarlet Harmatan goat hide molded on a bas-relief sculptural substrate of Arches watercolor paper layered in three planes. Endpapers hand…
Franklin example
Old cover removed and pages trimmed, ironed, guarded, and sewn on five bands. Encased in a modified K-118 structure with vellum spine, double boards interspersed with hand-laid paper, hand-sewn headbands, and a sculptural substrate of layered Arches…
Geraty
Full Russell’s Oasis red goatskin, the color chosen to symbolize the blood of Christ. Front cover with a large tilted cross composed of many small handmade shapes tooled in blind describing the overall outline of the cross. When both front and back…
Geraty example
Full black goatskin, front and back covers with fields of purple, orange, green, and red goatskin onlays and areas of solid gilt leather, tooled with straight gold lines, spine titled in gold, edges gilt. Endpapers of gray Hahnemühle Bugra paper with…
Gilly
Quarter black goatskin with glass boards; text sewn onto linen tapes laced through glass covers with zinc patinated frames; hand embroidered silk headbands; flyleaves of Unryushi Sume off-white paper. Front cover with center depiction of Christ…
Gilly example
Quarter blue goatskin with glass boards; text sewn onto linen tapes laced through holes drilled in zinc frame with brass tubing soldered into holes; hand embroidered silk headbands; all edges colored with graphite; title blind stamped on label of…
Hanmer
Book will be disbound. Original boards and spine to be housed in a separate enclosure matching that made for the new binding. Signatures guarded and repaired as necessary. Text block will not be trimmed, double folios of plain handmade paper…
Hanmer example
French technique binding sewn on flattened cords, laced into boards and covered in a variety of hues of blue leather, mostly goatskin. Tooling and titling in carbon, 23k gold, and dark blue foils. Edge-to-edge goatskin doublures, flyleaves of navy…
Jackson
The design evokes the gothic style of binding prevalent during the author's lifetime. Textblock disassembled, repaired as needed, and then sewn on five double-cord stations. Unbleached linen cords laced into cured, quarter-sawn wooden boards…
Jackson example
Unbound sheets of the two titles sewn as a single volume on three double-cord stations, plain wound endbands sewn with fine Italian silk. Quarter-sawn silver maple boards cut, planed, beveled, and channeled using traditional woodworking tools. Ends…
Kibby
Full rust Harmatan goatskin. Cross, nail, and flowing cloth elements are onlays in cream and chocolate goatskin. A sliced geode crystal is inset into a gold and red goatskin dimensional halo at the intersection of the cross beam with a raised circlet…
Kibby example
Full deep blue Harmatan goatskin with feathered alum-tawed and multicolored onlays, using a puckering technique for dimensional texture. Cover scene illustrates waves washing upon the shoreline delivering sea creatures. The starfish is built up into…
Leutz
Bound in the Jan Sobota-style three-board technique, full black goatskin with an inlay design in the front cover consisting of twenty-four leather covered magnetic squares. Twenty-four squares of chocolate brown leather on one side; on the reverse:…
Leutz example
Bound using the Jan Sobota-style three-board technique, brown leather covers, rust colored leather doublures, center board edged in black goatskin, tooled leather endbands; book edges are graphite. The cover design features twelve cut-out squares in…
Metzger
Parchment bound over sturdy cover boards, highlighting the living patterns of goatskin parchment without flattening the skin in any way by using adhesives. Five parchment lacings weave through the cover creating a variety of crosses. On the front, a…
Metzger example
Blank book covered in full goat parchment using a laced-case structure. Text sewn on parchment straps laced through cover, silk front-bead endband sewn on flat parchment core. Covering parchment attached to case using mechanical non-adhesive methods.…
Nies
Resew textblock using seven flattened hemp cords, consolidate spine, hide glue, backing and rounding, laced on blue boards, no edge treatment, wrap text block, three color double silk headband using batonets. Spine and covers: repair headbands with…
Nies example
French style full goat leather, top edge gilt with spiral tooled decoration, double headbands. Upper and lower boards with gold and blind-tooled design, goat leather onlays on top board. Silk front and rear pastedowns, marbled paper by Einen Miura of…
Nitzberg
Original textblock conserved as needed. Original sewing holes utilized, book to be sewn on five cords with linen sewing threads, no additional edge treatment. Five cords laced into boards and extensions of the textile spine lining adhered to inside…
Nitzberg example
Dark blue goatskin with onlays comprised of vintage English textile designed by William Morris; textiles arranged to create a "Cambridge style" panel motif; gold-tooled design elements. Marbled endpapers. Leather joints, hand-sewn silk endbands.…
Reid-Cunningham
Pierced vellum binding, designs tooled and cut into the vellum to reveal brightly colored boards, title and tooling in gold and metallic foils. Design utilizes the repetition of a few limited geometric elements. The letters of the title, parallel…
Reid-Cunningham example
Pierced vellum binding with yapps and bone clasps. Textblock disbound and edges left untrimmed, original paper covers and spine lined with kozo tissue and bound in. Volume sewn all along on three alum-tawed goatskin thongs with new endsheets of laid…
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