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Subject is exactly "example binding"
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Caine example
Half leather binding of maroon goatskin sewn on five raised cords. Central panel of goatskin parchment with calligraphy based on the original manuscript of the play. Gold-tooled title on spine.
Hanmer example
Binding based on the non-adhesive “clip-on cover” structure developed by United Kingdom binder Kathy Abbott. Text block disbound, outer folios guarded, sewn long stitch with blue linen thread into calf vellum wrapper, covered in limp calf vellum…
Sullivan example
This case-bound book was disassembled and reassembled in the three board structure method (which includes a hollow-tube spine) introduced by Jan Sobota. It was sewn with thick linen thread on Ramieband tapes. All three boards, doublure, and onlay…
Etherington example
Full orange goatskin with green and black goatskin onlays and gold tooling.
Fox example
Full leather binding including doublures and fly leaves, emerald, natural, and red goatskin with black goatskin onlays to represent the binding as a slice of watermelon.
Stackpole example
Bound in a full leather closed joint binding with sculpted boards in emerald green, royal blue, and purple Niger goatskin with silver kid. Gold-tooled titling on the spine, blind tooling and multicolored leather onlays on the front board. Top edge…
Reid-Cunningham example
Full purple goatskin binding with gold tooling and gold titling on the spine. Edges left untrimmed, goatskin hinges and silk headbands. Thai marbled paper fly leaves and doublures.
Sobota example
Triple cover board binding structure, gold leather headbands with top edge in gold, brown Harmatan goatskin for the top cover, gold leather middle, and dark blue goatskin for the doublures, flyleaves are blue suede leather. A cut through technique is…
Lawrence example
Split board binding of black and grey goatskin with silver goatskin onlay over shaped boards & spine; agate slice set into front board; lap-link sewing over tapes; silver & bronze goatskin headbands; and marbled paper by Catherine Levine.
Sobotova example
Triple boards attached binding, dark green goatskin for covers and doublures, beige goatskin for middle boards. Sculpted relief depicting ocean water movement. Hand-carved, hand-blown glass set within the front and back covers depicting two main…
Wozney example
Full dark green goat skin with black goat leather doublures, top edge illustrated with a free-hand design of leaves. Title stamped at an angle on the front of the lime green leather onlay using black foil. Inlays of leaves, based on marble paper by…
Burkhard example
Based on medieval binding structures, textblock and marbled endsheets sewn on Pleister tapes with link stitch. Conservation endbands. Layers of pared leather and flannel to support spine, last layer is a vellum spine lining with extended flaps.…
Dossett example
Bound in a medieval style with folios sewn using a French link stitch. Endsheets and extra gatherings at front and back added during the sewing, tapes added during the sewing and then frayed, shaved leather added in spaces between the tapes.…
Leutz example
Bound using the Jan Sobota-style three-board technique, brown leather covers, rust colored leather doublures, center board edged in black goatskin, tooled leather endbands; book edges are graphite. The cover design features twelve cut-out squares in…
Jackson example
The flat back case binding of Carmilla is covered in full black goatskin and has red leather inlays. The title is stamped, the lines are tooled, and the text block edges are gilded in 22 carat gold. This binding also features sewn silk headbands,…
Reid-Cunningham example
Pierced vellum binding with yapps and bone clasps. Textblock disbound and edges left untrimmed, original paper covers and spine lined with kozo tissue and bound in. Volume sewn all along on three alum-tawed goatskin thongs with new endsheets of laid…
Westapher example
Full leather binding of terra cotta red goatskin with bisque and red onlays; narrow white leather onlays on frame colored onlays. Gold tooling and title in gold on spine. Top edge gilt and gauffered.
Sobotova example
Wraparound hard cover of full goatskin parchment with button tie and parchment strap. Flat gold leaf gilding with cutouts through the parchment and view of color underneath. Top edge gilt and gauffered.
Barber example
Yellow ochre leather with figure onlays, cover illustrations include acrylic pochoir painting and additional onlays of leather, design details blind tooled. Endbands are two shades of wheat colored silk over two cores with a front bead. Pastedowns…
Evetts example
Full leather binding in five colors with twenty-four textual quotations. Gold tooled and stamped using a variety of handle letters and 10-point York type. The top edge is gilt.
Thomas example
This model uses a popular octavo edition with its pages cut and pasted end to end to create a scroll. The scrolling mechanism includes a painted pine framework with brass hardware and ebony knobs. Mounted into a full leather case with the original…
Fox example
Terracotta goatskin bound with variations to the joint structure to allow for better movement and less damage to a heavy text. Native goatskin onlays based on an image in Vesalius’s De humani corporis fabrica. Gold number and letters are marked as in…
Barber example
Full blue goatskin over laced on boards. End papers and doublures of Japanese chiyogami. Hand-sewn silk headbands. Leather onlay, hand tooled verses with India ink, acrylic paints and gold foil stamping. The design represents God's word from creation…
Geigel example
Full blue leather binding in the French tradition with the design of an ancient Greek ship tooled in blind across top and bottom boards with gilded star constellations on top and bottom boards. Edge to edge doublures blind tooled. Top edge in…
Spitler example
Bound in a laminated case construction in full goatskin. Cut outs and recesses in the boards show fragments of the poem from the book, "negative" foil stamped on leather. Endpapers are decorated by the binder using paste paper techniques stamped with…
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