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Subject is exactly "example binding"
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Fox example
Full dark green and alum-tawed goatskin dyed with gold and palladium leaf and colored foil tooling. The center page is endpapers laminated together with foil tooling. Head colored and gilded center pleat in the binding and the center page. Sewn with…
Geigel example
Full leather binding in the French technique with three strips of onlaid leather in different colors and lengths and an inlaid disc of lapis lazuli on the upper right corner of the front cover. Edge-to-edge grey leather doublures with the first and…
Hanmer example
The design echoes a cartoon from the text. Full dark blue Harmatan goatskin, backpared onlays of various blues and greens, and black foil tooling. Marbled endsheets by Cris Takacs, leather joint. Sewn endbands of dark green and dark blue silk.…
Ingalls example
The binding reflects the style and techniques proposed for Ficciones including a linear cover design, leather doublure and flyleaf, blind tooling throughout, bound in the French technique. The design is the journey from nothing to nothing on the…
Jackson example
Full purple goatskin with black and silver leather onlays. Blind-tooled title on spine. Platinum-tooled stars and Hale-Bopp Comet with UFOs on the front board. In the recessed center is a glow-in-the-dark alien reminiscent of that worshiped by the…
Sobota example
Sobota’s box binding structure with doubled boards and a middle opening. Green, blue, and brown goatskin. Application of leather and colored Japanese paper. Hand printing in blue. Gold tooling. Roughly-sewn headbands depict ship ropes.
Spitler example
Special set of sheets presented by author to Spitler for design binding. Full gold Chieftain goatskin, leather onlays, blind and gold tooling, pochoir acrylics. Ancient fruit, fig and pomegranate represent the Garden of Eden as a snake crosses the…
Taylor example
Cased in two boards with Harmatan purple leather #29. Text paper is Arches text wove. Marbled endpapers by Kevin Taylor. Flexible purple leather spine colored with gold pigment paint and sewn with “x” stitching to leather covers.
Thomas example
Sewn onto wooden dowels. A threaded hollow steel rod connects two redwood hexagons that function as lids or covers. The “book” has a hexagonal slipcase with six panels featuring copies of the original book’s cover attached to a redwood base.…
Wood example
Clamshell box and cover, built in three pieces. Original hand-dyed bookcloth by binder used inside box and quarter bind, elsewhere Cialux evergreen cloth. Binding is traditional codex, with linen thread and tapes, endpapers are deep green Hahnemuhle…
Kamph example
Grey oasis goatskin with multicolored, gold-tooled onlays in a frieze design, based on an antique Malaysian pattern with figures taken from a text illustration. The volume is titled in gold on the spine with letters made up from small tools.…
Lallier example
Full Buffalo leather French-technique binding with edge-to-edge leather doublures and flyleaves. Pewter onlays over boards underlying the leather, silk embroidered headbands. The book was bound in 2001.
Ramsey example
Full, dark brown French Cape morocco binding with unique magnetic closure developed by binder. Front cover design with Garnett's Laboratory Press printer's device, also in blind on verso. Onlays of French Cape morocco and chagrin leathers with paste…
Spitler example
Full green, goatskin over laced-on boards. Paste paper ends by the binder. Design executed with painted foil stamped onlaid leather, tooling colored foils, and relief imagery. The motif illustrates the transformation of a women, the object of the…
Sobota example
Triple cover board binding structure, gold leather headbands with top edge in gold, brown Harmatan goatskin for the top cover, gold leather middle, and dark blue goatskin for the doublures, flyleaves are blue suede leather. A cut through technique is…
Bennett example
Three board structure with two-piece leather covering (one is suede to create a pictorial sunset). Inlaid agate, various green leather onlays and ascona line onlays were added in reds and oranges. There is onlay titling on the spine. The riverboat is…
Bruce example
A combination of a variety of three-dimensional materials to create an artist binding that is sculptural in nature.
Caine example
Quarter leather orange goatskin, marbled paper boards with vellum tipped corners, writing pen and title label attached. Gold-tooled title on spine.
Jones example
Resewn on three cords. Full red Harmatan goatskin with onlays and tooling. Custom leather and silk box.
Lawrence example
Split board binding of black and grey goatskin with silver goatskin onlay over shaped boards & spine; agate slice set into front board; lap-link sewing over tapes; silver & bronze goatskin headbands; and marbled paper by Catherine Levine.
Leutz example
Book bound in two-three board binding structure, developed by Jan Sobota with purple French chagrin leather over raised design with attached objects, tooled top edge, sewn silk headbands, doublure and flysheet are copies of Barry Moser's…
Reid-Cunningham example
Bound in alum-tawed goatskin with boards lined with Formica. Roma endsheets. Sewn double-flexible on linen cords. Edges sprinkled with black and red ink. Reverse bead primary endbands. Red and black silk doublecore secondary endbands. Alum-tawed…
Sobotova example
Triple boards attached binding, dark green goatskin for covers and doublures, beige goatskin for middle boards. Sculpted relief depicting ocean water movement. Hand-carved, hand-blown glass set within the front and back covers depicting two main…
Stackpole example
Full leather tight-joint style binding. Fine grain dark blue goatskin "sky" across top of binding; spine and part of both boards covered in navy blue Niger goatskin, with induced wrinkles signifying the river; rest of boards covered in dark green…
Sullivan example
This case-bound book was disassembled and reassembled in the three board structure method (which includes a hollow-tube spine) introduced by Jan Sobota. It was sewn with thick linen thread on Ramieband tapes. All three boards, doublure, and onlay…
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